Natural Mystic

Rate It! Avg: 4.0 (198 ratings)
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Total Tracks: 23   Total Length: 72:11

eMusic Review

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Keith Harris

eMusic Contributor

Keith Harris lives and writes in Minneapolis, MN, the greatest city in the world. He's reviewed music since 1996, writing for numerous magazines, newspapers and...more »

04.22.11
I and I love this dank, dubby and gorgeous reggae classic.
2000 | Label: Avid Records / The Orchard

The heated discussion between Lee "Scratch" Perry and Bob Marley could very well have ended with either or both dead. The brilliant but erratic dub producer had threatened to murder the upstart singer for swiping his ace recording band, the Upsetters. Instead, the two men emerged from the back room arm in arm, and together proceeded to revolutionize reggae. Natural Mystic is culled largely from Soul Rebels and Soul Revolution, the first fruits of this collaboration. Here, the two visionaries slow the upbeat groove of first-wave reggae to a ruminative lope, and the thick, murky mixes separate instruments rather than fusing them into taut R&B. Throughout, Glen Adams 'organ casts a disorienting haze from which Aston Barrett's bass pops occasionally with a clump of notes before slinking back into the primary beat. Tracks such as "There She Goes" showcase a brilliant harmony group: prime doo-wop rarely paired so creamy a lead with such flawlessly crystalline backup. And the deceptively casual vibe makes individual moments of intensity all the more affecting: on early classics like "Small Axe" and "My Cup," Marley's voice floats &#8212 sometimes seductively, sometimes thoughtfully &#8212 then leaps into the cutting high register that would later make him… read more »

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user avatar

yes one of the best

redbecca

The gritty sound on this album really shows off Bob Marley's voice and style like almost no other album. It's what made me really *love* Bob Marley. I like it so much paid for it twice!

user avatar

One of the best

ConcertCollector

This is one of Bob's Best albums. Glad to have it in my collection.

user avatar

I understand this album's rating

Appmath

Before you rate this album you need to understand the 4 phases you go through when you are in love with Bob Marley’s music for a long, long time. First, you look for the white-washed sugar coated stuff (Legend). Then, you quickly move to some of his beautiful work like Kaya. After a few years, you start looking for some of his lesser known hidden gems (Catch a Fire), albums that were not as polished as his later work. And finally, you start looking for the roughest, funkiest, ugliest (in terms of sound quality) Bob Marley albums, something like this one. Then, and only then, you can call yourself a real Marley fan.

user avatar

this guy..

FurryAligator

always makes me smile.. don't critique it with words just feel the simplicity and joy blah blah blah it was this it was that bob marley was a whatever. this album shares some serious soul

user avatar

Light one up

groundhog

This is an accurate depiction of the sound of the day - not the best equipment even for the times, tape heads glazed with layers cannabis resin. In fact, you might find it sounds better after glazing your own head with a layer or two. I often prefer these older records to the more commercial Island renditions which were often over-produced with excessive instrumentation - clavinets and rock & roll guitar solos, etc. Drums, bass and vocals is the heart and soul of this music.

user avatar

horrid sound quality

DigitalHobo

not much more to say...except that it sounds like it was recorded in a tin can. Great music, yes, but the sound quality is worse than dodgy. You can't flippin hear the music! It sounds like they dropped the master in a bucket of soapy water and then degaussed it!

user avatar

Sound quality fits the era

muzixplorer

This is great!!!!!!!...the production is what was happening in Jamaica at the time.. digitalhobo, listen again and get into the vibe that was so very, very real.....not digital by any means

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Vintage

MrFike

Recorded in the late 60's-early 70's before 'Burnin' these tracks represent much of the work that established The Wailing Wailers as the pre-eminent musical ambassadors for the then-new reggae style out of Jamaica. If you haven't heard these tracks, take a quick listen,let them loop a few times, listen to the harmony, the rhythm and the style. Really, these tracks are more in the rocksteady/ska style, but you can hear the early evolution of reggae in these tracks. "If you know your history..." Many of the songs here would later become BMW standards "Sun Is Shining", "Trench Town", "Lively..." and a few others would stay with Bob and the Wailers throughout their career. The versions of "Small Axe" and "Lively Up Yourself" here are still my favorites, along with "Soul Captives" and "Keep on Moving".

user avatar

don't worry about the sound

velosoex

Take no notice of digitalhobo - this is great music which easily transcends the sometimes dodgy sound. Like the best roots, very spiritual music that makes you feel like dancing. Can't ask for much more...

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They Say All Media Guide

Nearly two decades after his death to cancer in 1981, wading through the myriad of Bob Marley releases had become quite a task. A number of small record labels sought their piece of the international reggae star’s legacy, repackaging whatever material they could get their hands on. So where does Natural Mystic fall? Alongside its companion volume, Natural Mystic II, the set acts as a sort of expanded version of the great African Herbsman, itself a compilation of Soul Rebels (1970) and Soul Revolution (1971): the two albums the Wailers recorded under Lee “Scratch” Perry. The collaboration resulted in some of Marley’s most enduring work, producing a number of songs that he would return to on subsequent albums. “My Cup” was the first shot fired by the new alliance. Marley was already exuding confidence, his powerful, reverb-heavy tenor riding over cloudy accompaniment by Peter Tosh, Bunny Wailer, and the Upsetters. “Small Axe” targets the big three of the Jamaican recording industry (Coxsone Dodd, Duke Reid, and Prince Buster) and, like the best material here, is as much a triumph for Perry as it is for his pupils. “Sun Is Shining” weds a heavy Soul Syndicate rhythm and Tosh’s stark melodica lines to a bittersweet Marley vocal. The question does arise as to whether more is actually better. The quality of the Wailers’ 1970-1971 material is undeniable, but African Herbsman does manage to hit most of the highlights. Still, it does miss a handful of great tracks including the excellent “Soul Rebel,” “Mr. Brown,” “Soul Shakedown Party,” and “Caution,” all of which are found here. Though Natural Mystic fails to unearth any new revelations, it’s a fine collection of prime Wailers. – Nathan Bush

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