Bags' Groove

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ALBUM INFORMATION
EDITOR'S PICK

Total Tracks: 7   Total Length: 46:13

eMusic Review

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Alex Abramovich

eMusic Contributor

04.22.11
Miles and his all-star team define the parameters of hard bop to come.
2000 | Label: Fantasy / Prestige

Christmas Eve, 1954, was an auspicious night for American music. Down in Memphis, original rocker Johnny Ace shot himself while playing Russian Roulette. Up in New York, Miles Davis teamed with Thelonious Monk, Sonny Rollins, Horace Silver and the Modern Jazz Quartet's rhythm section (Milt Jackson, Percy Heath, Kenny Clarke), and helped define the parameters of hard bop to come. Often viewed as a transitional album, Bag's Groove contains echoes of Davis 'Birth of the Cool octet, and looks forward to his triumphant Kind of Blue without quite cohering in its own right. And yet, the album is famous in jazz circles not because Monk and Miles are said to have come to blows in the course of recording it, but because it's here that Davis mastered the bone-dry tone he's best remembered for, and Sonny Rollins matured into a true virtuoso. Highlights include take two of the title track (listen for Monk's furiously staccato solo), and Rollins 'Latin-tinged "Airegin" (which prefigures Davis 'own work on Sketches of Spain).

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Diamond-sharp solos!

rene.leemans

Most of 'Bags Groove' features a quintet with Sonny Rollins, a group which produced fine if slightly less than exalted music. The solos are diamond-sharp and 'Oleo' on which Miles used teh harmon mute which was to define his sound in future years. Highly recommended.

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"popping" on trax 6 and 7...

joshcash

there is a distinct popping going on during doxy and bnfm take 1. even though the songs are great, the popping is a distraction.

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not essential, but great nonetheless

jasthegriffin

not exactly everything you'd expect from such an impressive list of names, but that's only because you'd expect perfection beyond perfection ending in an ambrosial cocktail handed to you by st. paul. check it out and get yourself your own damn cocktail. :)

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Smooth and juicy jazz

Psychsound

I picked this album from emusic on the basis of a few seconds of hearing the title track. Smooth and juicy is Bag's Groove. There is no bad Miles Davis from the 1950's. Don't let this album get lost in the shuffle.

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Download other Bags' Groove

jimtgill

This one's sound is very very suspect.

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Superb!

Funknik

You cannot go wrong with this: Monk, Sonny, Miles and vibes, vibes, vibes. Miles' trumpet is so soft and velvety on the title track that it's like melting ice cream. You must have this!

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Pops on Bag's Groove Take 2

hungry4ever

If you are talking about the pops during Miles' solo, that is the sound of saliva in the horn. It's not a digital problem. Monk's solo's on take 1 and 2 are radically different. Get both!

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Another Great Record

TopCat

Davis,Rollins are great on this recording but definitely Jackson steals the show

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Is this what I think it is?

Bloozeandbeach

Listen to the clip of "Bags' Groove" take 2. Toward the end, I hear what sound suspiciously like vinyl clicks and pops. Was this taken from a disc and not the master tapes? That makes me wonder about the quality on the other tracks!

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Wonderful

Murahachibu

I can't believe I waited so long to get this. Really beautiful album!

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They Say All Media Guide

There are a multitude of reasons why Bags’ Groove remains a cornerstone of the post-bop genre. Of course there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session — featuring Thelonious Monk — which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis’ practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver’s (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering. Indeed, Davis’ choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed. This combo became synonymous with the ability to tastefully improvise and provide bluesy bop lines in varied settings. The up-tempo and Latin-infused syncopation featured during the opening of “Airegin” flows into lines and minor-chord phrasings that would reappear several years later throughout Davis’ Sketches of Spain epic. The fun and slightly maniacally toned “Oleo” features one of Heath’s most impressive displays on Bags’ Groove. His staccato accompaniment exhibits the effortless nature with which these jazz giants are able to incorporate round after round of solos onto the larger unit. Bags’ Groove belongs as a cornerstone of all jazz collections. Likewise, the neophyte as well as the seasoned jazz enthusiast will find much to discover and rediscover throughout the disc. The remastered CD includes both historic takes of “Bags’ Groove” as well as one additional rendering of the pop standard “But Not for Me.” – Lindsay Planer

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