Louis Armstrong And King Oliver

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ALBUM INFORMATION

Total Tracks: 25   Total Length: 69:01

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Historic Performances

Drum4JC

The historical impact of this recording is huge. Hearing Armstrong in his early years is hearing the birth of the improvisational jazz we know today. Yes, the songs may be a little cheesy sounding to the uninitiated, but that quickly passes as you get wrapped up in Louis' and King's solo tapestries, and get transported back to the 1920's. This is a must for any serious student of jazz.

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Classic Sounds, Classic Composer

mrskunk

This is a great selection from two of the best jazz composers of all time. The recording quality sounds just the way I think it would have in the 1920s. It adds so much to the sound that it is hard to believe we are in the 21st century. Put on the headphones, close your eyes, and let this album carry you away.

They Say All Media Guide

Louis Armstrong’s tenure as second cornettist to the great King Oliver is one of jazz history’s legendary apprenticeships, on a par with the one Miles Davis served with Charlie Parker or Stephane Grappelli’s with Django Rheinhardt. Sadly, only a handful of recordings survive from this formative period in Armstrong’s career; happily, all of them are available in this handy and generous package, which includes all 18 of King Oliver’ s 1923 recordings with Armstrong, as well as a bonus appendix consisting of seven tracks recorded in 1924 by the Red Onion Jazz Babies under Armstrong’s sole leadership (and featuring, on one number, a very young Alberta Hunter). The performances are as red-hot as you’d expect, and even the sound quality — which one would expect to be terrible, given that all tracks were transferred form 78 rpm records — is surprisingly clear, thanks to advanced digital wizardry. [Note: the material on this disc was originally issued on LP in 1974, and included two King Oliver and Jelly Roll Morton duets that are missing from the CD reissue. Those duets are available on another Milestone reissue CD, Jelly Roll Morton, catalog number 47018.] – Rick Anderson

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