The Quintet

Rate It! Avg: 4.5 (57 ratings)

We’re sorry. This album is unavailable for download in your country (United States) at this time.

ALBUM INFORMATION
EDITOR'S PICK // LIVE

Total Tracks: 6   Total Length: 46:52

eMusic Review

Avatar Image
Fred Kaplan

eMusic Contributor

04.22.11
Charlie Parker, The Quintet
2000 | Label: Fantasy / Debut

In 1953, the Toronto Jazz Society invited that year's poll-winners to play together in a concert — and they did. Charlie Parker, alto sax; Dizzy Gillespie, trumpet; Bud Powell, piano; Charles Mingus, bass; Max Roach, drums — if you know anything about jazz, you know I don't need to say any more, except this: The concert matched the most ecstatic expectations; and, unbeknownst to his bandmates, Mingus recorded it and released it on his own label. Thank God. The five pioneers of modern jazz, playing at their peak maturity. There is nothing else like it.

Write a Review3 Member Reviews

Please log in before you review a release. Log in

user avatar

Mingus, Dizzy, Bird, Max Roach, Bud Powell!

Dvoodoo

While sonically marred by inferior amateur mic techniques & mono 50's gear, or possibly the fact that Charlie Parker was using a borrowed white plastic sax (!?), one cannot underestimate the value of this historic live session. The biggest names in BeBop gathered togther for a one off show in Toronto that by some accounts was doomed, by poor advertising and ticket sales, to nearly missed planes, and backstage drinking & squabbling. What we do get is a unique, loose, and historic document. Cream drummer Ginger Baker told Mojo mag in 2006 that this disc and it's swinging version of Salt Peanuts with amusing vocal interjections changed his life. Maybe it will change yours too. It's worth a shot, or at least a few downloads. This is the original version with some overdubbed bass that Roach & Mingus felt were recorded poorly live. A 2nd part with 7 more live cuts is also available on eMusic.

user avatar

If you like this one..

sLowhAnd

A fascinating contrast is the recording of a somewhat similar set performed by Charlie Parker, Dizzy Gillespie, and Al Haig with Max Roach and Sidney Catlett switching off on drums made on June 22, 1945 at Town Hall in New York, released on Uptown Records. Personally I actually prefer the chemistry of the earlier group, but this later concert is also quite impressive.

user avatar

This should be great, but

Stick-Up-Artist

it's not. This is a decent concert, and it's impressive that anyone ever put together this bill. The group is not tight and even these master's solos are often unfocused. Big jazz fans will be interested in hearing the interaction of the legends. If you're looking for a greatest hits of jazz you'd be better off getting a different album, compilation, or selecting tracks from each of these players' best works because this will only give you a bad representation of these masters' work.

Recommended Albums

eMusic Features

Don Cherry: Pied Piper with a Pocket Trumpet

By Kevin Whitehead

Don Cherry began to make his mark with his first recording session, on February 10, 1958, as foil for freebopping alto saxophonist Ornette Coleman on music recorded for Something Else! Their bebop forebears Dizzy Gillespie and Charlie Parker favored rough-sounding unison melodies, a departure from the swing era's smooth blends, but the Coleman-Cherry mix was scrappier still. As soloist, Don took cues from how Ornette's solos didn't track a tune's harmonies… more »

Von Freeman’s Swing, Bebop, Avant-Garde Thing

By Kevin Whitehead

In Chicago, they all but carry him around in a sedan chair: Von Freeman, the tenor saxophonist who's educated umpteen young musicians on the bandstand. In 2002, the city named a stretch of E. 75th Street after him, down by the New Apartment Lounge where he's led Tuesday night jams for decades. Among the folks who came out for the ceremony were jazz guru Steve Coleman, who'd flown in just to honor one of his… more »

Sheila Jordan’s Place in the Sunshine

By Kevin Whitehead

Our story starts in Pennsylvania coal country, 1962. Jazz singer Sheila Jordan had taken her new friend George Russell to visit the hardscrabble hills where she'd spent her early years. At a local beer garden, Jordan performed an impromptu "You Are My Sunshine" with her grandmother on piano. Russell was an ultramodern composer, and the old song as corny as breakfast flakes — but Sheila's version got to him. Back in New York,… more »

They Say All Media Guide

The music on this CD features the famous Massey Hall concert which teamed together (for the last time on records) the unbeatable team of altoist Charlie Parker and trumpeter Dizzy Gillespie along with pianist Bud Powell, bassist Charles Mingus, and drummer Max Roach. The full quintet performs six of their standards; listen to Bird burn on “Salt Peanuts” as a reaction to Gillespie’s clowning. This is timeless and highly recommended music. – Scott Yanow