Soul

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ALBUM INFORMATION

Total Tracks: 7   Total Length: 41:46

eMusic Review

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Harvey Pekar

eMusic Contributor

04.22.11
Great late work from the saxophone giant.
2002 | Label: Fantasy / Prestige

During the '20s Coleman Hawkins became the first great jazz tenor saxophonist, and remained one of the best until he died in the late '60s. Throughout that time Hawkins kept abreast of developments in jazz, constantly updating his style — soon, the members of his groups were often decidedly younger than he was. That's the case on Soul, a 1958 recording featuring post-boppers pianist Ray Bryant and guitarist Kenny Burrell.

During the '50s, Hawkins emphasized bluesy and gospel-ish tunes more, and his playing became funkier. There are two blues and a gospel number on this CD. He still displays his old virtues, however: a big, rich tone and a great knowledge of harmony, which can be heard on his fine ballad work during "Until the Real Thing Comes Along." Hawkins was always a passionate player, as his fiery improvising on "Sweetnin'" illustrates. A curiosity here is the inclusion of the centuries-old song "Greensleeves" — Hawkins, after insisting that it appear on the date, does little more than state its theme. (Three years later, John Coltrane covered it wonderfully.)

Also impressive, Burrell displays excellent chops and considerable inventiveness. Burrell appeared on so many records that he's been taken for granted, but he's among… read more »

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They Say All Media Guide

This is a decent but not very exciting outing. Then 52, Hawkins uses a typically young rhythm section (including guitarist Kenny Burrell and pianist Ray Bryant) and plays melodically on a variety of originals and standards. This insipid version of “Greensleeves” is difficult to sit through but the rest of this CD is enjoyable if not overly inspiring. – Scott Yanow