Aspirations

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Aspirations album cover
Album Information
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Total Tracks: 14   Total Length: 33:03

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X X X X X

Skidmark

man i got a copy of this back in the day at phantom records in sydney, for me along with the birthday party they were the best live band in australia in the early 80's, i was pretty sick of all the aussie 60's garage bands around at the time, and these guys were just a great mix of dirty rock n roll, punk and Oz rock, bass player ian rilen was the downstroke king, played like a V8 diesel motor. for me this is thier best record, the 2 that folowed were gay. all the songs on this are great and it works as an album. if your lookin to pick the eyes out try - deliquent cars & i dont wanna go out, then get the rest

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Better And Better

SFropeEm

This is a great album, the more the songs play on "random" on my player the more I like these guys. "Good On Ya', Babe" rocks ! These tracks make being stuck in traffic almost tolerable (almost).

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Aspirations roX

Damian

This album was way ahead of its time. It kicks serious *ss. Download it now!!! More info about the band at: http://members.austarmetro.com.au/~halfhead/x-aspirated/xmusic/xdiscography

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Aussie Punk! Wow

Toes

The first Album by X was in 1979 and was called Aspirations; at least I think thats how it happened and I stand to be corrected, officially the band formed in 1977 and was led by Ian Rilen one of the founding members of the hard rocking pub band Band Rose Tattoo. But the flavour and style of this album Aspirations is a real departure from his earlier days, and is marked by its chaotic rythem that you will either like or you wont, for me personally I like it, I grew up with it and listened to bands such as the Sex Pistols, the clash, Iggy Pop etc to name a few, so you get an idea of the Era it came from but as for describing how it sounds youll really have to listen to it for yourself and make an opinion. There was a Band from the early 70's here in Australia called "Destroy all monsters", and I can say that this is the only thing I can compare it with, though it is still very different. My advice here is download it and listen to it for yourself, happy listening and all the best.

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It may be dramatically underpopulated for its size -- under 20 million inhabitants in a continent-size country -- but, like Sweden, Australia has produced far more than its share of idiosyncratic music. Maybe it has something to do with the country's rugged landscape, or with its pioneer spirit -- or perhaps it's simply that there isn't much to do in the Antipodes other than either form a band and play in a pub or go… more »

They Say All Music Guide

Following unsuccessful attempts to replace original guitarist Ian Krahe, who died six months after the group’s live debut, X reverted to the trio lineup of original members Stephan Lucas (lead vocals, guitar), Ian Rilen (bass, vocals), and Steve Cafiero (drums) for the recording of the band’s debut album. At the helm was Australian rock guru Lobby Loyde, who oversaw the five-hour session. That the album only took that long to record is evidenced by the crude nature of the performances, but Aspirations is one example where such guerrilla-style studio tactics pay off. Punk rock had caught fire, establishing strongholds in England and America, and eventually reaching X’s native Australia. Drawing on its predecessors for inspiration, this music is burning with a primal intensity that is vintage 1979. The group combines the revolution rock of the Clash, the bitter new wave of Elvis Costello & the Attractions, the mindless punkisms of the Ramones, and the no-future deadpan of the Sex Pistols. This punk collision could be a recipe for disaster, yet X somehow manages to walk the razor’s edge while avoiding the collapse the band seems perpetually headed for. Rilen’s basslines amount to a rollicking sludge which, along with the weighty pummel of Cafiero’s attack, provides the stark underbelly for Lucas’ desperate guitar shards. Krahe’s guitar playing was, sadly, never documented on record, but it could hardly be rawer than this. Unfortunately, X didn’t enter the studio again for another five years. Continued attempts to fill Krahe’s vacancy also hindered X, meaning that the group probably never got the attention it deserved. This reissue from Amphetamine Reptile attempts to remedy that, taking listeners back to the music’s heyday for an underrated punk gem. – Nathan Bush

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