eMusic Review
Louis Armstrong was the first great instrumentalist in jazz, more influential than any with the possible exception of Charlie Parker. His great inventiveness; his rich, warm sound; his mastery of his instrument; and his emotional range left other musicians in awe. His example changed jazz from an ensemble music to a vehicle for the improvising soloist, which it remains today.
The so-called Hot Fives and Sevens series, cut between 1925 and 1928, were the first under his name, and brought him to the attention of the jazz world. They used varied personnel, and were issued under several names. It was a recording group only — the musicians made their livings working in Chicago's nightclubs, dancehalls and theatres. As the series progresses, we can see Armstrong coming more and more to the front: the first cuts were in the New Orleans ensemble style; by the last cuts, the other musicians were merely backing Armstrong's vocals and astonishing trumpet solos. The recordings in this series are essential listening for any serious jazz fan, and lie at the heart of any jazz collection, no matter how small.
The recordings on Volume One are still in the New Orleans ensemble style. However, the stop-time solo on… read more »