Black Moses

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ALBUM INFORMATION
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Total Tracks: 14   Total Length: 93:38

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Hua Hsu

eMusic Contributor

Hua Hsu edits the hip-hop section of URB Magazine and writes about music, culture and politics for Slate, the Village Voice, The Wire and various other magazine...more »

04.22.11
Let my people swoon
2001 | Label: Fantasy / Stax

This classic soul workout is as audacious as its title, thanks to Hayes 'languid cover of the Jackson 5's "Never Can Say Goodbye" and the moody, oft-sampled "Ike's Rap."

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Oh....yes

BrunoBruno

If you haven't yet, then do. This is a classic that defines and era and a man yet surpasses both. If you can find a way to download it in the States........we could use a Black Moses to deliver his American fans out of bondage right about now. Give us our download!

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Ike In The Zone

Murgatroyd

He could do no wrong at this period and this double album is a whole lot of right. I'm damn glad I got it before it became "unavailable for download in your country (United States) at this time." What's up with that? Ike IS America and should certainly be available to all Americans!

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Amaaaaazing

timabouttown

The first 2 tracks alone are enough to secure this one's place in the pantheon. It's hard to overstate how big a deal this was at the time, or what a pleasure it is to listen to now. I'll be honest - I started by skipping the Ike's Rap tracks, but had to go back and get 'em. Save yourself the time and downlad all. PS. The Look of Love is on Hot Buttered Soul. EVERY Bachrach track Isaac did is indispensible. Don't miss Walk on By or I Don't Know What to Do With Myself.

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The Look of Love - Missing

kjc

His rendition of "The Look of Love" is very mellow and easy. Where is it?

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Deep - Soulful

EMUSIC-Sebastian

Isaac Hayes is just amazing on all fronts - There is so much to say but it's just better to download them all and listen or soak it up ARC

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They Say All Media Guide

The sheer tenacity — albeit undeniably fitting — of this double-disc set has made Black Moses (1971) one of Isaac Hayes’ most revered and best-known works. The multi-instrumental singer/songwriter and producer had been a central figure in the Memphis soul music revolution of the mid-1960s. Along with Booker T. and The MG’s, Hayes’ wrote and performed on more Stax sides than any other single artist. By the time of this release — his fifth overall, and first two-record set — Hayes had firmly established himself as a progressive soul artist. His stretched out and well-developed R&B jams, as well as his husky-voiced sexy spoken “raps” became key components in his signature sound. Black Moses not only incorporates those leitmotifs, but also reaffirms Hayes abilities as an unmistakably original arranger. Although a majority of the album consists of cover material, all the scores have been reconfigured and adapted in such a fundamental way that, for some listeners, these renditions serve as definitive. This is certainly true of the extended reworkings of Jerry Butler’s “Brand New Me,” or Esther Phillips’ “You’re Love Is So Doggone Good” — both of which are prefaced by the spoken prelude to coitus found in each respective installment of “Ike’s Rap.” The pair of Curtis Mayfield tunes — “Man’s Temptation” and “Need to Belong to Someone” — are also worth noting for the layers of tastefully scored orchestration — from both Hayes and his long-time associate Johnny Allen. The pair’s efforts remain fresh and discerning, rather than the dated ersatz strings and horn sections that imitators were glutting the soul and pop charts and airwaves with in the mid-1970s. Hayes’ own composition, “Good Love,” recalls the upbeat and jive talkin’ “Hyperbolicsyllabicsesquedalymistic” from Hot Buttered Soul (1969), adding some spicy and sexy double-entendre in the chorus. Wisely, the CD reissue also reproduced Chester Higgins’ original tongue-in-cheek liner note essay giving the history and mythology of the Black Moses persona. – Lindsay Planer

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