Inside Dave Van Ronk

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ALBUM INFORMATION
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Total Tracks: 25   Total Length: 77:16

eMusic Review

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Bruce Pollock

eMusic Contributor

04.22.11
"Let's all pick up our silver daggers and plunge them into our lily white breasts."
2001 | Label: Fantasy

Presiding over the "hoot" nights at the Gaslight Café, Dave Van Ronk became known as the "Mayor of MacDougal Street." As the Godfather of "The Urban Folk Scare," he nurtured a whole new wave of folk talent as they swarmed the streets of the Village in the early '60s, most notable among them Bob Dylan, not only with three hots and a cot, but also with a repertoire as vast and knowing as the man with the growl and the cowlick himself. This 25-track set from 1962 captures his most typical resounding performances, from the aching "Cocaine Blues" to the boisterous "Brian O'Lynne." If Dave got "He Was a Friend of Mine" from Dylan, compare Van Ronk's version of "Moonshiner" with the version Dylan sang at the Gaslight circa 1962. At turns tender, gruff and stark raving mad, Van Ronk's sly humor is as controlled as his dexterity as he advises a generation: "Let's all pick up our silver daggers and plunge them into our lily white breasts."

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A big influence on Dylan

RockinDaddio

Listen closely, believe it.

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A Classic of Its' Kind

seadiva

When I bought this on vinyl as a rebellious yet still clueless art student I loved it. It seemed so out of the mainstream at that time.I liked both the folk and the blues style stuff.With his gravelly voice the folk songs didn't seem so smarmy as some others I had heard.Everyone loved 'Cocaine Blues' and 'Talking Cancer Blues' with its' reference to pot "the thinking man's cigarette"- very risque back in the day. I still have a copy and listen to it now and again.I recommend it.

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They Say All Media Guide

Somewhat confusingly titled, this CD reissue includes both the 1962 album of the same name and the Dave Van Ronk, Folksinger LP (recorded around the same time), encompassing 25 tracks in all. Anyway, this is certainly Van Ronk’s most enduring work, and indeed one of the few relics of the early-’60s traditional folk boom that holds up well today. With the possible exception of Bob Dylan (whom Van Ronk and his wife helped immensely when Dylan was a struggling unknown in New York), Dave was the finest interpreter of traditional folk tunes of that time, with a big bear of a voice that was both anguished and tender. One of the few white folkies who could sing acoustic blues without embarrassment, Van Ronk was also an accomplished acoustic guitar picker; instrumentally and vocally, he brought an intensity to his covers that made the songs his own. Of the two albums brought together on this CD, Inside has the edge because of its more varied instrumentation, including 12-string guitar, dulcimer, and autoharp (Folksinger only has Dave’s vocals and guitar). Dominated by classics like “Motherless Child,” “Silver Dagger,” “Poor Lazarus,” and “Fixin’ to Die,” this also has an arrangement of “He Was a Friend of Mine” that Van Ronk learned from Dylan, who apparently claimed the traditional song as his own at the time. – Richie Unterberger

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