Sleepwalker

Rate It! Avg: 4.0 (130 ratings)
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Total Tracks: 14   Total Length: 60:10

eMusic Review

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Chris Hunt

eMusic Contributor

04.22.11
The Kinks get down to the serious business of rocking.
2000 | Label: KOCH Records / Entertainment One Distribution

A new record deal with Arista saw the Kinks transforming themselves into a US-style rock band. While Sleepwalker may lack the lyrical finesse of its predecessors, Ray Davies was once again writing the kind of powerful rock riffs that his brother thrived on. Having come out of the studio with 20 songs, Davies paired his work down to nine, ruthlessly trimming his elaborate arrangements. There are some priceless melodies — "Life On the Road," the string-laden "Brother" and the gorgeous "Stormy Sky" — hiding among the out and out rockers, but discovering the bonus tracks has its own rewards, including two versions of the simply beautiful "On the Outside." "Prince of the Punks," meanwhile, was a single b-side aimed squarely by Davies at his erstwhile protégé Tom Robinson, with savage lines like "tried to be gay, but it didn't pay" and "he acts working class but it's all baloney, he's really middle class and he's just a phony."

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Time has been kind to "Sleepwalker"

jdship

This was the Kinks' first straight rock record in a long time. No concept, no TV show, no pretensions, and it helped. Nothing here as good as "Rock N Roll Fantasy" from the next one, but five really good songs -- "Life on the Road," "Juke Box Music," "Brother," "Sleepwalker" and "Life Goes On."

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What is going on in New England?

poblan0p3pp3r

The Kinks have nothing to do with emo -- not any more than any other British invasion band, at any rate. And Belle and Sebastian? Really? As far as this album goes, it has been a long time since I've been able to discuss the merits of the Kinks with any sort of objectivity. If you've already bought and worn out Arthur, VGPS, and Muswell Hillbillies and are willing to see the Kinks branch out in less uniformly successful directions, Sleepawlker may be the ticket.

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word ape is on the dilly yo'

swollen-shut

The Kinks are the forefathers of punk-emo-tears on my pillow crap. However, Ray would laugh at all the emo kids. He is a story teller, and a damn fine one at that.

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Josh . . .c'mon, really?

word-ape

Puh-leeze, don't compare the Kinks to B&S. I know this album didn't provide you the lazy/poppish/jeezuz-I'm-so-tired-with-my-life rush that is much of emusic . . . but the Kinks are worth a second and third and fourth look. You're a smart boy, give yourself a break - listen to the Kinks.

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It's fine.

JoshWhite

I heard a friend playing The Kinks back a week or two ago, and I thought "Wow! I gotta get me some of that." It sounded something like protopunk with melodies and lyrics that could have come off a Belle and Sebastian album. That's what I was hoping for. I didn't get it with Sleepwalker. This is not an especially exciting or interesting album, but it sounds good all the same.

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You've Gotta Have This!

Dirt Kahuna

"Sleepwalker" isn't the most famous of Kinks albums. Released in 1977, this album was a bridge between their concept albums and the later rock-radio phase that generated so many hit tunes for the band. "Sleepwalker" has some of the Kinks most consistent songwriting - every song is worth owning, but there are standouts. "Mr. Big Man" features an incredibly hooky guitar riff, "Brother" is an epic track that takes on the creative differences between Dave Davies and his guitarist/singer brother Ray. My favorite track is "Juke Box Music," which should have been a huge radio hit for the band with it's catchy chorus and stunning guitar work. If you're looking for a place to start your Kinks collection, "Sleepwalker" is it!

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