Orleans Parish

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Total Tracks: 12   Total Length: 41:22

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J. Edward Keyes

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J. Edward Keyes has been writing about music for nearly 15 years, a fact he occasionally finds terrifying. His work has appeared in Rolling Stone, the Village V...more »

03.29.02
The softcore indie pop that inspired Death Cab for Cutie
2000 | Label: Peek-A-Boo Records

No less a light than Ben Gibbard once pledged loyalty to Austin pop masters Silver Scooter, which should give you a decent indication of the group's tone and approach. Gentle, longing, guitar-based indie pop focused on splitting up and falling apart, Silver Scooter use a fairly conventional approach to turn out some unconventional pop. Simply put, the songs here are sterling — Scott Garrad's voice is tiny and retiring, and he knows how to instill simple phrases like "delivery driver" — which is repeated and repeated and repeated at one point — with the kind of significance that would make e.e. cummings rethink that whole "cellar door" assertion. These gentle shoulda-been classics tug at the heart as they stick in your head, shy valentines sung to darkened bedroom windows.

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maybe i'm too unhip and old but...

mr. mark

I tried several of these "bargains" and did not dig any of them (The Teen Titans is really bad). This seems to be one of the better ones, though it has no real New Orleans flavor, to my ears. Mediocre.

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They Say All Music Guide

Silver Scooter’s second full-length album, 1999′s Orleans Parish, continues in the style they established with 1997′s The Other Palm Springs: catchy, driving indie pop with lyrics alternately sad and hopeful. The drums are restrained and simple, laying a solid foundation on which the guitar and bass build shining melodies. Songs such as “Sleight of Hand” and “Cancer & Wide-Eyed Looks” are both melancholy and catchy, the at times mournful lyrics balanced by the bouncing instrumentation. “Deliver Me Driver” could be a letter from a Silver Scooter fan, the narrator singing, “I love your songs/they’re filled with melody and melancholy.” This, in fact, is the essence of this Austin band: emotional songs often touching on themes of loss and loneliness, but delivered in such a way that makes these things not seem so bad. – Brandon Gentry

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