Jazz Impressions of Black Orpheus

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ALBUM INFORMATION

Total Tracks: 8   Total Length: 39:06

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oh no!!!

breadcity

I was waiting for my tracks to refresh before I downloaded this, and now it's not available! Please bring it back, Emusic!

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So much more than a Peanuts composer

kayrob

Until I was an adult, I thought VG just wrote the Peanuts music! WOW...I couldn't be more wrong. Black Orpheus, Guaraldi's first commmercially successful album, is lush and wonderful. *Cast Your Fate to the Wind* has never sounded better.

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Things WERE Different Then

beachdog67[club2000]

I grew up in the San Francisco Bay Area, and actually owned a copy of this LP before Fantasy changed the cover. If you're one of the many who hold [url=http://www.emusic.com/album/10589/10589366.html]A Charlie Brown Christmas[/url] (turned 40 this season) in high regard, this look into the musical frame of reference of the composer may prove informative. It also still holds up as a mellow, but stimulating first-cup-of-the-morning or last-sip-at-night piece of work. Regarding the absolutely accurate account in the AMG review above of the runaway crossover success of "Cast Your Fate To The Wind", it begs the question: Could such an event even come to pass in today's tightly formatted world? And, if not, who would have ended up scoring those Peanuts specials?

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They Say All Media Guide

Here is Vince Guaraldi’s breakthrough album — musically, commercially, in every which way. After numerous records as a leader or sideman, for the first time a recognizable Guaraldi piano style emerges, with whimsical phrasing all his own, a madly swinging right hand and occasional boogie-influenced left hand, and a distinctive, throat-catching, melodic improvisational gift. The first half of the program is taken up by cover versions of tunes from the Antonio Carlos Jobim/Luiz Bonfa score for the film Black Orpheus, recorded just as bossa nova was taking hold in America. These are genuinely jazz-oriented impressions in a mainstream boppish manner, with only a breath of samba from Monty Budwig (bass) and Colin Bailey (drums) in the opening minute of “Samba de Orpheus”; an edited version of this haunting song was issued as a 45 rpm single. But DJs soon began flipping the single over to play the B-side, a wistful, unforgettably catchy Guaraldi tune called “Cast Your Fate to the Wind” that opens the North American half of the album. The tune became a surprise hit; Fantasy redesigned the cover to call attention to it, and Vince was on his way to fame as one of Latin and mainstream jazz’s most irresistible composers. The whole album evokes the ambience of San Francisco’s jazz life in the 1960s as few others do — and such is this record’s appeal that even non-jazz and non-Latin music people have been grooving to this music ever since it came out. – Richard S. Ginell

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