Thelonious In Action

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ALBUM INFORMATION
EDITOR'S PICK // LIVE

Total Tracks: 10   Total Length: 62:23

eMusic Review

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Fred Kaplan

eMusic Contributor

04.22.11
Thelonious Monk, Thelonious In Action
2001 | Label: Fantasy / Riverside

Thelonious Sphere Monk, a pianist as eccentric and marvelous as his name, was at his peak in the summer of 1958, when he recorded these sessions at the Five Spot with drummer Roy Haynes, bassist Ahmed Abdul-Malik and — replacing John Coltrane — Johnny Griffin on tenor sax. It's a different vibe from the Coltrane dates of the year before — less rapturous, more soulful — but spectacular all the same. By this time, Monk had fashioned his songbook of knotty originals — "Light Blue," "Blue Monk," "Epistrophy," "Rhythm-a-ning" — and this quintet rips through them with high-spirited aplomb.

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Original Album

safhandle

Coming on the Hudson and Light Blue were first recorded on this album. The first time that TM has been recorded "live" out the studio.

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2 Thumbs Up for Griffin

jazzmine

Another thumb for Griffin. I think the two saxophonist who had best approaches to Monk's music were Griffin and Rouse. I think they both bested even Coltrane and Rollins in a Monk setting.

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Griffin's Sax

Haines

Johnny Griffin plays sax here, and his performances make or break each number. On the first two tracks, when Monk and Griffin duet, Griffin sounds overwrought and out of sync. However, on track three, "Rhythm-a-ning," Monk steps out altogether for several choruses and lets Griffin wail w/o an anchor. On track three alone, Griffin's playing needs to be heard. The sound quality is quite good and well worth the ticket.

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They Say All Media Guide

Although the contents of the original Thelonious in Action vinyl comes from the August 7, 1958 show, the CD reissue, which was released three decades later, incorporates over 20 minutes of extras from a July 9 gig that had been previously rejected by the artist. While in exceptional form, Monk is far from casting the only or even the brightest light during these unforgettable sides. Joining him on-stage at the legendary Five Spot club are: Johnny Griffin (tenor sax), Ahmed Abdul-Malik (bass), and Roy Haynes. It’s unfortunate that this unit did not remain together for any length of time as they are able to launch Monk’s compositions into some fairly significant places. Johnny Griffin’s aggressive performance style incorporates a lyrical and melodic undertone perfectly complementing Monk’s sporadic inflections. “Coming On the Hudson” features Griffin weaving his magic around the melody while providing a decisive Coltrane-esque counterpoint to which Monk precariously locates his responses. The intensity of “Rhythm-A-Ning” lifts the whole combo after quickly developing the chorus. Griffin builds line upon melodic line, after which Monk responds in kind by adding distinct punctuations of his own. So powerful is Griffin’s onslaught, Monk can be heard indicating more than once that Griffin should indulge in another verse. After a ragged but right beginning, “Evidence” becomes transcendental with Griffin, Monk, Malik, and Haynes — who is frenetically brilliant throughout — diving into solos which envelop the melody and ultimately expand the unique patterns and motivations. The CD reissue contains a supplementary (if not definitive) take of “In Walked Bud” from an earlier live recording session that is available in its entirety on the Complete Riverside Recordings box set. – Lindsay Planer

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