Butterfly Dreams

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Total Tracks: 8   Total Length: 36:54

eMusic Review

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Kurt Wolff

eMusic Contributor

04.22.11
A wedding of breezy melodies and soaring Brazilian vocals to fat, funky beats.
2001 | Label: Fantasy / Milestone

Brazilian vocalist Flora Purim first attracted attention in the original lineup of pianist Chick Corea's pioneering fusion band, Return to Forever. Butterfly Dreams, Purim's first album as a bandleader, mined similar territory, wedding breezy melodies and soaring vocals to fat, funky beats supplied by electric bassist Stanley Clarke and Purim's percussionist husband, Airto Moreira. Joe Henderson provides airy flute and handsome tenor saxophone; guitarist David Amaro is gentle one minute and scorching the next. And if George Duke's keyboards occasionally sound dated to modern ears, it's only because he was the player whose sound and feel everyone wanted to cop during the decade.

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melancholy happy

Neenah

it has a "reality" quality to it that grounds the loftly imagination of the jazz. the tone of her voice breaks my heart a little, but the music is so precocious. i love it.

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Wonderful!

Growver

I've followed Flora Purim since her recordings with Chick Corea's Return To Forever, through her wonderful solo releases (of which this is one), through her conviction and jail time on cocaine charges, her great comeback recordings and on to the present. She's still active professionally in the UK, and has had recent dance hits. Butterfly Dreams has been one of my favorites. Less "rocky" than some of her recordings, it's a great meshing of jazz and Brazil. Flora's in great voice, with that charming Brazilian Portuguese accent. Dindi, one of my favorite cuts, is sung in that language. On Moonbeam she really cuts loose, with high-end scat vocals over a tight, disciplined but frenetic groove from the players. With George Duke, Stanley Clarke, Joe Henderson, etc., what's not to like? I'm especially fond of David Amaro's biting electric guitar, setting a tougher tone that became more prominent in later recordings.

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Elis Regina

anorak

I think that Flora has based the whole of her career on the work of Elis Regina and this album which I loved in the 70's is a weak imitation of the great Elis Regina. Please check out Elis' live recording - now that is fabulous!

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They Say All Media Guide

This is the album that launched Flora Purim’s solo career with great promise following her magnificent stint with Chick Corea’s first incarnation of Return to Forever. Most of the tracks on this album sound like they would have fit very nicely onto one of RTF’s first two LPs, with bandmate Stanley Clarke not only lending support on electric and acoustic bass, but also contributing original compositions and arrangements to the mix. The rest of the supporting cast is not too shabby either, including sax and flute man Joe Henderson, keyboard whiz kid George Duke, guitarist David Amaro, and Purim’s other half, percussion legend Airto Moreira. Clarke’s funky “Dr. Jive” and lyrical “Butterfly Dreams” are standout tracks here, as is the upbeat Egberto Gismonti composition “Moon Dreams.” Duke shows his light Brazilian side on “Love Reborn,” featuring Henderson’s tenor sax solo and Amaro’s lovely acoustic guitar. Purim delivers a gorgeous take on Jobim’s well-known ballad “Dindi,” and reshapes the standard “Summer Night” into a wordless vocal in her unmistakable style. The disc closes with a fine reworking of Clarke’s now-classic “Light as a Feather,” which strays not too far from the original RTF version. Neatly capturing Flora Purim’s many vocal strengths, Butterfly Dreams delivered on the great expectations generated by her work with Corea and turned out to be a high point in her recording career. – Jim Newsom

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