A substance of Ornette Coleman's?
"Evidence" is the closest Lacy comes to the sound if not to substance of Coleman's great quartets. On "The Mystery" and "Evidence", he achieves something like Ornette's lonely stillness. Cherry, on trumpet rather than one of his squeaky miniatures, provides a strong total contrast and the rhythm section, pianoless again and with the little-known Brown in for Haden, plays with good understanding.