O.S.T.

Rate It! Avg: 4.5 (157 ratings)
ALBUM INFORMATION
EDITOR'S PICK

Total Tracks: 20   Total Length: 76:05

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Hip-Magic

MaximusB

I don't even always like Hip-Hop all that often.. if it was like this all the time though I would.. some seriously quality stuff here!

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Swell

stubble

New to PUTS? Start here. Much of this album has been on my regular rotation for over two years now. Like another reviewer, this has become one of my favorite albums of all time, all genres. That's a testament to it's diversity and timelessness. Superb hip-hop.

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Batman and Robin

ViktorVaughn

This is west coast at its absolute best. If your not up on this one and like the early 90's "Golden Age" bangers. Your missing out. In one song Thes-One proclaims, "If you see our cd in Wal-Mart you should steal it, you can deal it on the street with a sack and a brew." Says a lot what they are about. BIG-UPS!

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Simply Amazing

PrincessRoy

This quickly become one of my favorite albums of all time. THIS is hip-hop.

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Damn!

Halien

Everything Hip-Hop can and should be!

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This is the sh_t.

Daz902

They don't make hip hop like this anymore. Err.... I thought they didn't. Until now, anyway. What I am trying to say is that this is easily the best rap album of all time. I would even go as far as to say it's groovier than Styles of Beyond... and that's saying something. Seriously folks. If you just can't get into 'crunk' and you don't get 50 Cent and Eminem is just too juvenile... this is it. This is rap the way it was meant to be.

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They Say All Media Guide

It’s hard not to appreciate what People Under the Stairs are trying to accomplish with their third full-length. Fortunately, the attempt (i.e., the finished product) works just as well in practice as in theory. Although there could be a little more variety from track to track, this is one fun and funky record. There’s a democratic, stylistic purity to O.S.T. — hence the title — that is wholly consistent with its predecessors. As Thes One explains in the liner notes, it’s “an album that is made up of old records and personal experiences” — no more, no less. Both One and Double K serve as MCs and DJs and think of themselves more as B-boys than artists or musicians. They eschew live instrumentation (with the exception of the bass on “The Breakdown”) and rely instead on their distinctive, loose-limbed raps; deep, diverse record collections; and mad turntable skills. Consequently, the Los Angeles duo has been compared more often to the underground hip-hop combos of the 1980s and 1990s, like the Pharcyde and Freestyle Fellowship, than to their contemporaries of the 2000s. The best example of their no-frills approach comes to fruition on the horn-blasted party anthem “Hang Loose,” a cross between Grandmaster Flash & the Furious Five and Poor Righteous Teachers (and in which they compare themselves to Kool & the Gang). Laid-back grooves and shout-outs to 1970s TV shows (like Scooby Doo), cold beverages (Long Island iced teas), and tasty treats (fish and chips) make O.S.T. one of the more enjoyable hip-hop releases of 2002. – Kathleen C. Fennessy

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