Performance 1983 North America Tour

Rate It! Avg: 3.5 (33 ratings)
ALBUM INFORMATION
EDITOR'S PICK // LIVE

Total Tracks: 11   Total Length: 66:10

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Hua Hsu

eMusic Contributor

Hua Hsu edits the hip-hop section of URB Magazine and writes about music, culture and politics for Slate, the Village Voice, The Wire and various other magazine...more »

04.22.11
Marvin Gaye, Performance 1983 North America Tour
2002 | Label: Cleopatra Records / The Orchard

This polished live set from the late Gaye spans from his early, innocent, pop-influenced Motown sides to later, more mature hits like "Sexual Healing" and "Let's Get it On."

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Don't Do It

sitkakonarose

I am so disappointed with another 'live' rendition of Motown. The sound on this album is so irritating, like listening to off-key singers using an empty beer can for a microphone. So I will be searching for the more, 'virgin-like,' original recordings when Marvin doesn't sound like he's having respiratory problems -- out of breath...

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what is this excuse for music

gofar74

I'm sorry if I sound harsh but these songs sound as if they were recorded in a tin can. I love Marvin Gaye and what he stood for in his life but this is album is bad

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Did D.W. Listen to the Same Album I'm Hearing? ;-)

NewFunkTimes

I downloaded "Performance 1983 North American Tour" despite the warnings by other reviewers. Don't get it if you're not a hardcore fan! ;-) The sound quality is a disgrace, but Marvin Gaye's performance in some of the songs is nice. And there are not too many alternatives if you want to hear '80s songs like "Sexual Healing" live. If you're undecided between this album and "Live in Montreux 1980", get the latter! It's absolutely amazing. One of my favorite emusic downloads ever!

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Terrible album

AnDers

This one definitely should not be an Emusic pick. The recording quality is bad, that's for sure. But the most annoying thing is the horn section. They play out of tune much of the time. Sounds like the band has been thrown together just for this gig.. Don't waste your downloads on this one.

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Yougottabekiddin'

Zoomer

How this ever got to be an emusic "pick" is beyond me. The low recording quality overshadows the poor music selections. My advice is avoid this album altogether.

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Disappointed

AJG3

I am a big fan of Marvin Gaye but am disappointed with this live album. The recording quality is poor in my opinion. It is difficult to hear the vocals in places and there is a poor balance generally between instruments and vocals. The recording sounds amateurish. I don't think that this was Marvin at his best even if it had been well recorded and produced. I don't care for the arrangement of the medley at the start of the album- It doesn't retain any of the feel of the originals. I was hoping for something less sterile than the original motown recordings, with the excitment and intensity that a live performance can have. This was sloppy and uninspiring- to me anyway.

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Marvin Gaye

By Hua Hsu

There were many different Marvin Gayes. In the 1960s, He was a Motown heartthrob known for his breezy duets with the likes of Tammi Terrell, Mary Wells and Kim Weston; in the early 1970s, he was an astute critic of world affairs rousing fans out of their carefree apathy; years later, his erotic soul would soundtrack the conception of generations of future Gaye fans. In all these iterations, Gaye could be cast as the pinnacle… more »

They Say All Media Guide

Like Charlie Parker, Jimi Hendrix, and Hank Williams Sr., Marvin Gaye is a perfect example of a musical giant who became his own worst enemy and turned to drugs and/or alcohol to cope with his demons. Gaye didn’t die from drug-related causes; he was shot and killed by his own father in 1984. But cocaine and severe depression did take their toll on the soul legend, and that is why his concerts could be erratic and inconsistent during the last few years of his life. Like various CDs that have come from The Right Stuff, Park South, and other labels, Performance focuses on Gaye’s 1983 tour. This disc isn’t without its problems. The sound quality is not great — it isn’t bad, but it isn’t great — and at times, Gaye’s substance abuse is obviously affecting the quality of his work. But despite those things, the CD has more ups than downs. Even though Gaye had grown to dread touring and was fighting a losing battle with his demons in 1983, he manages to sound passionate more often than not. All of the songs that Gaye chooses are first-rate, and that includes “Sexual Healing,” as well as “I Heard It Through the Grapevine” and major ’70s hits like “What’s Going On,” “Inner City Blues,” and “Let’s Get It On.” However, not all of Gaye’s performances are first-rate — he sounds inspired more often than he sounds uninspired, but the CD (which contains insightful liner notes by singer Athan Maroulis) certainly isn’t without its weak moments. Because of Performance’s inconsistent, uneven nature and its imperfect sound quality, the disc is not recommended to casual listeners. Performance is strictly for collectors and hardcore fans, who will want to obtain this CD despite its shortcomings. – Alex Henderson

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