Cruelty Without Beauty

Rate It! Avg: 3.5 (40 ratings)
ALBUM INFORMATION

Total Tracks: 15   Total Length: 77:55

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Whoops! I missed

Oliveme

I cannot remember what criteria I used when I chose this album. Yes, I love Non Stop Erotic cabaret and Tainted Love, but the reviews aren't very good, the samples sound repetitive, and... and... This is one of the few albums that I have not found anything to really like. It stays in my library, excluded form all playlists, only because I have space. Should that change, this will be one of the first to go.

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It's Okay...

eJDL

...at first listen I thought to myself how so many of the idea's on this record were explored on the Pet Shop Boys 'Fundamental', then I realized 'Cruelty Without Beauty' predated 'Fundamental' by four years. Ha! To be honest, I enjoyed 'Doppleganger' from The Grid much more than this record.

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Who isn't a soft cell

Lint_Licker

Everybody who likes all things 80's and even this resurgance of synth(pop) should be very interested in this. ALways puts a smile on my face as well. DOWNLOAD ALL OF IT!

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Got 80's?

j0ydivision

I LOVE music from the 80's. Mostly the darker synth stuff. I was excited when I played these songs back on my mp3 player! I love how Soft Cell has kept the sound of the 80's new-without selling out their signature sounds! The lyrics still weave stories of love/heatbreak, cynicism, fallen celebrities, and drugs-but now with more experience. The music is very syth driven-of course! If you like their old stuff--give this a go!

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They Say All Media Guide

Soft Cell’s fourth studio album was released a full 18 years after the duo’s third, This Last Night in Sodom (1984). During those 18 years, both Marc Almond and Dave Ball pursued solo careers to huge success, and occasionally worked together on albums (Marc Almond’s wonderful 1990 album, Enchanted) and remix singles. But here, the two are together in full force. Almond’s lyrics are among the best he has ever written, especially on the tragic “Whatever It Takes,” which seems to be the sequel to their debut single, “Fun City,” revisiting the same character 25 years later. It all comes together with brilliant writing and Ball’s atmospheric and swelling arrangement of the eerie music. And the music has grown; sure, it sounds like an updated Soft Cell, but the ’80s are nowhere in sight. Wisely, this is not a “retro” album with re-recordings of the duo’s big hits, but rather a more mature Soft Cell. Overall, the album has a dark, semi-political tone reflecting the late ’90s and early ’00s. While it is dark, it is also captivating and accessible. Almond’s voice is strong and emotive, living and breathing his stories and observations. Autobiographical? Perhaps, but in the end it does not matter. The stories are vivid, and the music incredible. The only real shame is that Almond and Ball were not creating music for 18 years, because this album shows the talent and ability of these two writers, and how the times have adapted to them. – Aaron Badgley

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