Live At Leeds

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ALBUM INFORMATION
LIVE

Total Tracks: 11   Total Length: 72:02

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Andy Beta

eMusic Contributor

Andy Beta has written about music and comedy for the Wall Street Journal, the disco revival for the Village Voice, animatronic bands for SPIN, Thai pop for the ...more »

04.22.11
The sound of a Scottish folkie finding jazz, one improvised line at a time.
2002 | Label: One World Records / Voiceprint

Scottish guitarist John Martyn deftly melded American blues to British folk with his wife Beverly early on in his career. He then veered off the road taken by his more pensive and poppy contemporaries like Nick Drake and Al Stewart in favor of something more vague and disquieting. With the nimble shadow play that longtime upright bassist Danny Thompson brings to the table, the two utilized jazz's improvised openness on this live outing at Leeds University to plunge down into the netherworlds implicit in songs like "Solid Air," "Outside In" and Skip James 'menacing "I'd Rather Be the Devil," doubling (or even tripling!) their album lengths. Out at the edges, with Martyn's heavily echoplexed guitar thickening the snaking lines, the two players writhe and worm into very dark areas of the psyche here, something the record label wasn't too keen on loosing. Hence Martyn pressed the first 10,000 of these himself.

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The sound of East Grinstead

fatanky

Thanks again to Dennis Scotchbrook for a truly insightful review, I can only tip my hat to the great man.

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nyes

EMUSIC-007211A2

great find. not to sound clicshe, but "this is why i love e-music"

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Walking the cross-generic walk

Dennis_Scotchbrook

To what's already been said I'd add only that tracks 7-11 feature an additional musician, the late Paul Kossoff. This must be the only time in his career that the Free guitarist got to play with a truly free drummer, the late John Stevens. Unfortunately, the result is sludge, and sludge of a not very elevated order; even with a vastly improved recording quality, these bonus tracks would lack the intensity of the six pieces constituting the meat of this album. But it does show that even at this early stage in his career, JM was truly walking the cross-generic walk, demonstrating the spirit that has taken him into collaborations with whoever's at hand, be it the likes of Andy Sheppard and Lee Perry or be it an MoR progger such as Phil Collins or the guy from Pink Floyd.

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My best download yet

JasC

This is superb - Martyn and Thompson at their best. The interplay of guitar, voice and double bass is relaxing and exhilirating. The original album got the editing right, though: tracks 7 to 11 have poor recording quality, and they sound like rough-and-ready blues workouts compared with the rest. If you're making a CD, remove any pause before the tracks since they all run together in a continuous sequence.

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da non perdere

unochi

bellissimo live di john matyn, fino ad ora avevo nella mia raccolta One World, ma questo lo supera di molto

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A must have.

eclectricity

I'm a fan of Martyn's early 70's Island recordings more than I am of the albums available on emusic, but this is as close as you're likely to get. A nice selection of tunes from that period in an inspired live performance. Danny Thompson's bass work is a special treat. Even without the bonus tracks, of somewhat inferior recording quality, this is THE John Martyn album to have.

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They Say All Media Guide

Because Island Records didn’t feel it was the right time for a live album, Martyn independently released this record from his home. The initial release was a limited edition of 10,000 (which Island did manufacture, though not distribute or promote) that was numbered and signed. Though the album shares its title with the famous Who live collection of the same name, the working title was “Ringside Seat” and photos of Martyn and bassist Danny Thompson in a boxing ring were even taken for a prospective cover, though never used. Recorded February 13, 1975 (the sleeve incorrectly states October), at Leeds University in the U.K., this is John Martyn at a peak in his career. In Thompson, he’d found a perfect foil for his increasingly jazzy textures and their bass and guitar interaction is a particular highlight. Having mastered the echoplex, which was capable of producing waves of echoed and distorted sound, Martyn was doing things with an acoustic guitar that no one had ever done (or has done since). “Outside In” (all 18:57 of it!) is a tour de force showcasing the otherwordly sounds he could coax from this device, and is worth the price of the album alone. The re-released version on Voiceprint/One World includes five bonus tracks (“My Baby Girl,” “You Can Discover,” “So Much in Love With You,” “Clutches,” “Mailman”) from the show, including the ones Paul Kossoff of Free guested on. – Rob Caldwell

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