Extricate

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Total Tracks: 14   Total Length: 54:24

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Douglas Wolk

eMusic Contributor

Douglas Wolk writes about pop music and comic books for Time, the New York Times, Rolling Stone, Wired and elsewhere. He's the author of Reading Comics: How Gra...more »

04.22.11
The Fall, Extricate
2003 | Label: Cog Sinister / Voiceprint

Rebounding from the departure of his ex-wife/guitarist Brix, Mark E. Smith lets his venom start flowing again, and experiments with acid house and garage rock.

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Got a great beat and you can dance to it

timabouttown

It's a testament to The Fall's unparalleled versatility that they could come to (sort of) fame as harsh post-punks, yet still release such an accomplished, enjoyable dance pop record...without compromising their integrity or their worldview. (BTW, the first song is "Sing! Harpy!," not Sing Happy.) I'm glad to see that the other comments here agree with me that, out of around 100 releases, this is among the small handful of the very best.

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2nd Favorite

menyc

I'm so surprised to see others really love this album. I've always thought people viewed it as too 'poppy'. Which, in Fall-world is far from what most would consider pop. And like most have said, Bill is Dead is just incredible. Solid through and through, it ranks a close second to the band's masterpiece, This Nation's Saving Grace. (imo)

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Tied for the best

melonpapa

I am always torn between this album and "Live at the Witch trials" when it comes to my fave Fall album.. both works of genius but hardly seem they are from the same band.

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A fun introduction to a serious band

conorbendle

While "Grotesque" or "This Nations Saving Grace" may be better introductions to The Fall's signature sound, this album is a great example of the awesome range of this band (or at least this version of it). Along with the standard garage thrashers, there's also glam stomp, dance-punk and even some rockabilly, coloured with violin and flute. The original 10 tracks (6,7,12,14 are bonus B-sides) include the beautiful ballad 'Bill Is Dead', a possible consession to the contemporanious Madchester scene in 'Telephone Thing' and the closer 'And Therein' which is reminicent of Lindsey Buckingham's "National Lampoon's Vactaion" theme (!). 'Sing, Harpy' and 'Black Monk Theme' were inspired by Mark E. Smith's divorce, but despite (or perhaps becasue of) this, the mood of the album is generally upbeat, making this one of the most accessible and rewarding Fall albums.

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my fave

dubentendre

you're not in the minority. This has remained my favorite Fall album. The longing in Bill Is Dead is incredible--it's always great when M.E. Smith comes up sincere, and Sing! Harpy, Hilary and Chicago, Now are great as well.

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My fave LP

dk303808909

and also the first Fall CD I purchased. I don't know why this album compels me so, but I do enjoy the variety of the tracks. "Bill is Dead" sounds like a movie soundtrack and "Littlest Rebel" is just awesome. Combine this with the LPs "A Sides" and "Palace of Swords Reversed" and you've got a nice start to a collection of essential music.

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the first half is great

goofy

another one of my favourite Fall albums. I think I'm in the minority.

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eMusic Features

Icon: The Fall

By Douglas Wolk

Roughly 75 people have been members of the Fall over the last three decades or so, but only one of them has been in every lineup: inimitable vocalist/lyricist/ranter Mark E. Smith, whose singular and monomaniacal vision drives the band. Smith's a bristling, hyperliterate, deeply eccentric presence, with a thick Manchester accent and a permanent scowl directed at a world that can't keep up with him; he's also got an ear for a riff like nobody's… more »

They Say All Media Guide

The Smiths had divorced around the time of Extricate, but Brix’s presence could still be felt on Fall records. Some thought the mid-’80s signaled an end to the ragged, jagged Fall of old; the ’90s must have made them apoplectic. Working with producers Rex Sergeant, Craig Leon, and Adrian Sherwood, the post-apocalyptic sound of the ’70s had been smoothed to a sheen. There were still moments of anarchy and dissonance, but generally they were swaddled in synth-driven beats and high-tech production that smoothed out any remaining rough edges. Again, this was not a bad thing; after all, Mark E. Smith was still upfront and still ranting, but even he was singing more, and shocking as that was, it made for even better music. For this period, the place to start is Extricate, which proved beyond a doubt that the Fall were not too old to still be a part of this punk rock thang. Since this record follows on the heels of the Smiths’ divorce, it’s tempting to assume that Mark E. Smith’s ranting has a more conspicuous target, but enigmatic as he tends to be, this is mere speculation. Still, “Sing! Harpy” and the title track will give you pause as to the source of Smith’s considerable consternation. The band sounds great, especially longtime members Steve Hanley and Craig Scanlon. Extra kudos to the solid backbeat provided by Simon Wolstencroft. – John Dougan

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