eMusic Review
Soft Machine were always more in thrall to the jazz aesthetic than their better-known psychedelic siblings Pink Floyd. Consequently, the rhythm section of drummer Robert Wyatt and bassist Hugh Hopper was inordinately more fluid, leaving keyboard man Mike Ratledge to take most of the solos — a common feature of much prog rock. This impressively loud and loose live performance of what's essentially the Softs 'second album captures the band at the point where extended psychedelic freak-outs were giving way to more recognizably progressive instincts. It's a place where an extended, trance-like piece such as "Pig," based around a big, fuzzed-up bass line and boasting an ear-splittingly distorted keyboard break, can nestle comfortably beside more carefully arranged material. Both the shifting time signatures of the opening "Hulloder"/"Dada Was Here" sequence, and the lengthy drum solo that virtually closes the set, hint strongly at the band's future direction. But this is Soft Machine at their best.