The Old Kit Bag

Rate It! Avg: 4.5 (189 ratings)
ALBUM INFORMATION

Total Tracks: 12   Total Length: 58:43

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Folk rock with serious hooks

bigstrings

The Old Kit Bag is terrific and has several songs that make you just want to sing along. Here are my favorites: - I'll Tag Along, - Jealous Words, - One Door Opens, - I'll Tag Along, - She Said It Was Destiny, - Word Unspoken, Sight Unseen

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No one's better

EMUSIC-008DB7D1

For my money I'd just as soon see Richard Thompson live as anyone. If he's anywhere near where you live go see him. His records don't let you know that he's one of the greatest guitar players ever. This CD is solid throughout. You can't go wrong.

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Outside of the Inside

freeimprov

To answer someone's question about racism in this song... it's RT's criticism of Islamic fundamentalists, who have actually BANNED music in places they control. RT himself is a Sufi Muslim and has been since the 1970s, although he doesn't push his beliefs in our faces, so the excesses of fundamentalists are something he takes personally. Oh, and as for the album... it's good, but not great RT. Worth getting if you're already a fan, but for new fans, I'd recommend starting with the Austin City Limits concert on EMusic.

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Racism?

UmbilicalBungee

What's up with this song "Outside Of The Inside" about Charlie Parker and his "Monkey Music"? I may be taking this out of context from the 30 second sample, but it sounds like a racial slur to me. Anybody know more?

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You won't be sorry

MontanaBoy

I first heard of Richard Thompson after he did a remake of "Season of the Witch" for Crossing Jordan. The Old Kit Bag was my next taste and I had to get more. I can't imagine how I've gone so long without knowing his music.

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New strong album

espenk65

This is a very strong collection of songs, in a production where both Thompson's guitar and voice gets plenty of room. Highly recommended

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Originality and creativity

jmleonfounlin

I've been a fan of Thompson's ever since I first heard Mirror Blue. His composition and lyrics are and oasis of originality and creativity in an often insipid world. He is a virtuoso guitarist but never shows off. His powerful solo or rythmic guitar sections contribute to creating a genuinely personal atmosphere and deeply heart-felt emotions. His befitting lyrics often have a jaded, sarcastic and pessimistic tone about them. But again his songs are always well alive and keep surprising and mesmerizing you. It is too sad his craft is not more known. They really are rare gems to be cherished. Certainly not all of his songs are masterpieces, but a lot are. Really. The overall quality and sophistication in his work can't be denied. And this album doesn't disappoint. Whether he goes acoustic (A Love You Can't Survive) or electric (Jealous Words) there is always the same intensity in his music and biting or sorrowful words in his lyrics. In a word buy this album and more.

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He Does It Again !!!

BigJim

A strong showing, as always, from Mr. Thompson. Who else in the music industry has given us so many great songs over the past five decades and yet remains so commercially obscure ? Others have mined his compositions for hits, but it still hasn't raised his profile. My favorite tracks on this record are: Jealous Words >> A very moving compostion , done in Mr. Thompson's trademark manner. A Love You Can't Survive >> A song that tells a tale with such conviction, it hits like a groin punch. She Said It Was Destiny >> Love found and lost. I've Got No Right To Have It At All >> Tells of that self-loathing that strikes us all sometimes.

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classic and even better live

rendrag

One of the outstanding albums in the last few years. Richard Thompson has produced a series of live albums recently. As well as being "one of the best songwriters" he is simply one of the best live guitarists I have ever heard. He is backed by an equally talented band, who can play in so many styles, but when he rocks, he really hits it... It would be great for eMusic to carry his entire catalogue.

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Essential Listening

PeteG

If you love music - whatever style, download this you won't be disappointed.

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They Say All Media Guide

Richard Thompson is the sort of artist destined to be a cherished cult item rather than a bona fide star, which at the dawn of the 21th century puts him in an uncomfortable place in the music industry — being able to reliably sell 100,000 copies of an album makes you too small for a major label, no matter how long they’ve kept you on the roster. In 2000, after a dozen years with Capitol Records, Thompson’s contract was not renewed, and 2003′s The Old Kit Bag found him recording for an independent for the first time since 1985. Creatively, this actually turns out to be a good thing; after the periodically excessive and self-conscious production Mitchell Froom imposed on nearly all of Thompson’s releases for Capitol, 1999′s Mock Tudor (produced by Tom Rothrock and Rob Schnapf) found Thompson going for a more lean and live sound, and with John Chelew at the controls, Thompson follows suit on The Old Kit Bag. Cut in a straightforward and stripped-down manner, with just bassist Danny Thompson, drummer Michael Jerome, and harmony vocalist Judith Owen along for company, The Old Kit Bag captures Thompson in spare but sympathetic circumstances; the performances are strong and confident, without a note or gesture wasted, and Thompson’s interplay with his rhythm section is nothing short of superb. While Thompson eases back on the “wow, listen to that!” solos on The Old Kit Bag, his playing is fluid and superbly tasteful throughout, and his subtle overdubs show he’s as good an accompanist as a bandleader. And Thompson’s songwriting chops are still in superb shape; “A Love You Can’t Survive” and “I’ll Tag Along” are further meditations on Thompson’s favorite theme, love and life gone wrong, and “Outside of the Inside” (which Thompson introduced on tour as “a song about how the Taliban see the West”) is a chilling look inside a man blinded by his culture and his faith (and a bit of a surprise coming from a devout Muslim). The Old Kit Bag is Richard Thompson’s simplest and most unadorned album since Shoot Out the Lights, and while it isn’t an immediate masterpiece like that album, it confirms that this man’s work is best presented at its simplest, and the result is a modest triumph. – Mark Deming

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