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Pacific Drift: Western Water Music, Vol. 1

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Pacific Drift: Western Water Music, Vol. 1 album cover
01
Coming Up To The Surface. . .
1:42 $0.99
02
White Folding Slowly (Into Blue Remix)
4:54 $0.99
03
The Beaches On Neptune
3:33 $0.99
04
Porpoise Song
3:12 $0.99
05
Interlude 1
0:12 $0.99
06
After The Summer Hits
4:34 $0.99
07
Philo-Cycling (Trip'Round The Block)
3:54 $0.99
08
Images Of April
4:29 $0.99
09
Interlude 2/Sioux's Rain Part III (Insect Trust Dub)
3:59 $0.99
10
What Fall Brings
3:32 $0.99
11
This Will Be Our Year
2:24 $0.99
12
Interlude 3
0:26 $0.99
13
Electro-Acoustic
5:00 $0.99
14
Headspace
3:53 $0.99
15
I Won't Hurt You
2:44 $0.99
16
Going Under. . .
1:17 $0.99
Album Information
EDITOR'S PICK

Total Tracks: 16   Total Length: 49:45

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eMusic Features

0

Looking Past Hip-Hop: RJD2 and Nobody

By Hua Hsu, eMusic Contributor

One night a few years ago I was zipping through the traffic maze of Los Angeles, on my way to meet the producer Nobody on the occasion of his just-released debut album, Soulmates. He had given me very vague directions, and so the signal strength of KXLU, where he was doing his weekly radio show, helped guide my path. As the static cleared, I grew more confused: what was he playing? Rather than the Project… more »

They Say All Music Guide

The first album by Elvin Estela (aka Nobody) was a sort of electro-jazz-hip-hop outing that reflected the city streets through a prism of artfully arranged analog clutter and funky beats. On the aptly titled Pacific Drift, he takes things in a more psychedelic direction, still serving up the funky breaks but keeping things generally more smooth and groovy than heavy and pumping. The songs, interestingly, are mostly covers of psychedelic hits from the 1960s. He’s helped out on this project by members of Postal Service, Dntel, Mars Volta, and Beachwood Sparks, among others. On “Porpoise Song,” Chris Gunst croons in a swooning multi-tracked voice over a lazy drum loop and a chortling Mellotron; “Sioux’s Rain, Pt. III” sounds like some aboriginal Martian’s idea of reggae; on “I Won’t Hurt You,” Jimmy Tamborello mutters over a cheesy analog organ and cheesier rhythm box. In a way, the instrumentals are the best — fun as these vocal interludes are, they ultimately tend to detract from Nobody’s subtly quirky and elegant compositions. Recommended. – Rick Anderson

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