Although this live show was only recorded a few months after the Sings session, it’s hardly extraneous, featuring entirely different material. It’s also a considerably more aggressive and free-leaning effort than her debut, as Waters challenges herself and the audience with avant-garde crescendos of peals and wordless, whispering moans, although she doesn’t entirely neglect the more subdued and accessible features of her voice. – Richie Unterberger