See It Was Like This

Rate It! Avg: 4.5 (14 ratings)
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Total Tracks: 17   Total Length: 63:45

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A Singular Recording

crafterx43

I have loved this duo since the 70's when I got to see them perform many times at My Father's Place in the City of Old Rosyln. I find this to be their most enjoyable release. I love the stripped down arrangements and interplay. I have downloaded everything they have on this site. One of the chief perplexes of my musical enjoyment is why they didn't become as popular or more popular than Simon & Garfunkel, they are easily as good as songwriters and more importantly- singers.

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A Worthy Album--One of My All Time Favorites

BooRadley

A compelling collection of tasty harmonies, innovative lyrics and unpretentious arrangement all combine to make this an exceptional addition to your music library. Their debut album from '72 is excellent as well--the only reason I signed up with eMusic was to add their original disk to my collection. This album might even be better. It has less orchestration and fewer production values added to distract from the real talent. These fellows are exceptional musicians and singers. If you like the best of America, James Taylor and the top notch folk-rock, you'll love both the duo and the album. Stranded on a desert island with only a handful of CD's...this is one I'd want. On a site filled with reconstituted hash, this is filled with prime cuts.

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They Say All Media Guide

See, It Was Like This was released in 1989 as a brand-new set of acoustic re-recordings of songs from Aztec Two-Step’s early-’70s albums. Not a cynical attempt to avoid paying licensing fees to Elektra Records for reissue rights or an admission of complete creative brain-death, See, It Was Like This instead functions as a kind of alternative greatest-hits package of Aztec Two-Step’s early years. The duo’s early work with producer Jerry Yester was truly lovely in the near-orchestral manner of Yester’s own work with his wife, Judy Henske, around the same period, but these much simpler, almost stark new versions of the songs strip away the slightly dated orchestrations and put the focus entirely on Rex Fowler and Neal Shulman’s close harmonies and acoustic guitars, both of which are in top shape throughout. – Stewart Mason

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