Sacred System Chapter One: Book Of Entrance

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ALBUM INFORMATION

Total Tracks: 5   Total Length: 46:40

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This is Dub

hiddenfire88

Clearly Laswell wanted to genuflect at the feet of King Tubby and Lee Perry, and he creates music that is part imitation of them and part extension of what they had done (there is at least a small amount of cross-in electronic sound). If you like King Tubby, you'll like this. Laswell's secret weapon here is his bass. He drips fluid and funky bass parts the way Charlie Parker used to drip saxophone runs. The bass playing lifts this record up and makes it something at least a little special.

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They Say All Media Guide

Fans of Bill Laswell will salivate at the prospect of an all-reggae outing from the master producer and bass god. And at first listen, he bears out most expectations: the grooves are heavy, intelligent and well-constructed. But as the disc wears on, it also becomes increasingly clear that he made one serious mistake in making this album: he played and produced everything himself, and the resulting sound is kind of sterile. Blame it in part on the crispy-clean digital keyboard sound that varies not at all from track to track, but part of the problem lies in the fact that all of the musical ideas clearly come from one person. Laswell’s a genius, but so is Prince; that doesn’t mean that there shouldn’t be someone there helping him sort the brilliant ideas from the mediocre ones, not to mention contributing a few different musical gestures just to keep things interesting. That said, this is a gorgeous piece of well-textured reggae background music. But if you want more than that, check out the followup (Sacred System: Chapter Two). – Rick Anderson

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