In Dub mixed by Ott

Rate It! Avg: 4.5 (72 ratings)
In Dub mixed by Ott album cover
Album Information

Total Tracks: 6   Total Length: 59:52

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Not so cookie cutter

TankTop

Imaginative.

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Too late!

DisbrowXC

Came across this when I'd used up my DLs. Have to wait now. Don't care what it is or why; just know I need it!

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genera defining

machrisod

this is a genera defining must have. it's a unique spin on something that few have been able to touch. it's more on the psy end and less on the trance which is always welcome. you can actually listen to this wonderful trip when you're doing something other than dancing on acid. even after 3 years of owning this it's still one of my favs and gets regular play

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The best album I own.

funkybassmonkey

Flows so beautifully from start to finish that it feels half as long as it really is. If you like closing your eyes and losing yourself in a dreamworld of sonic technicolor, underpinned with thick creamy rhythms and bass, and a sprinkling of well chosen samples that actually serve a purpose rather than being there for the sake of it, then it really doesn't come any better than this.

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WONDerFUL|||---!

Bugliner

Download this NOW and get lost in a psychedelic dub stream!! Seriously good!!

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sic as it gets

NCali

This is the bomb. I don't need to say anything else.

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They Say All Music Guide

The pedigree of this album is a bit complicated. The source material comes from releases by Simon Posford, who records under the name Hallucinogen. But the versions of those tracks contained here were dubbed up by Ott — and that seems to be the only name he goes by, except that he also records in a more trancey mode under the name Eco. As the admirably straightforward title of this album would indicate, the mixes Ott designs for Hallucinogen are deeply rooted in classic dub-wise reggae, though you would never mistake them for the genuine article. For one thing, he manages to employ all the standard studio tricks of dub — echo, delay, phasing, and instruments popping up out of the murk and then submerging again — without ever creating the mystical, spiritual quality that characterized most Jamaican dub of the 1970s. Even on tracks like the “Wicked Bassmonkey Mix” of “Solstice” and the “It’s Turtles All the Way Down Mix” of “Gamma Goblins,” which are nothing if not trippy and sometimes downright pretty, the grooves are hard and clean rather than smoky and trippy. And the “World Sheet of Closed String Mix” of “L.S.D.” sounds attractively like a summit meeting between Strange Parcels and Mad Professor. Most pleasantly surprising of all is the fact that even with an average track length of just over nine minutes, not a single one of these tunes sounds too long. In fact, you finish the album with a distinct sense of disappointment. There are other dub albums you can say that about, but not very many. – Rick Anderson

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