Country Soul Brother

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Country Soul Brother album cover
Album Information
EDITOR'S PICK

Total Tracks: 12   Total Length: 41:30

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Mike McGonigal

eMusic Contributor

Mike McGonigal is editorial director for YETI publishing and the author of three little music books. He lives in Portland, OR, where he spends his time assembli...more »

04.22.11
A Hammond B3? In a country song?
Label: Stag / Redeye

Like fellow Texan Dale Watson, Jesse Dayton's music is steeped in the deep, rich old-school honky tonk of Hank, Lefty, and Merle. At the same time, though, he's a contemporary artist who's spent plenty of years absorbing blues, soul (hence the album's title), rockabilly and pop. Who'd ever think a Hammond B3 would work in a country context — or that it was even possible to add twang to the Cars 'classic "Just What I Needed" and still keep it palatable? Watch this guy, he's been around the block but he's still got plenty of places to go.

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Weakest Jesse but a couple of good songs

Spazaru

This is easily the most overproduced of Jesse's records. As a long time fan, I prefer Tall Texas Tales, his second album. It's raw and has his catchiest music and best lyrics. On this album, the keepers are Daily Ritual, Jesus Pick Me Up, and the title track. But whatever you do, see him live! No one in current country music can put on a show like Jesse. He's a great singer and incredible guitar player. Check him out.

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Contemporary Country

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Calling a song "country" can mean a lot of things — nasal-inflected honky tonk, fancy bluegrass picking, a lone and moaning acoustic guitar, even smooth and creamy countrypolitan arrangements. The genre dates back to the 1920s, when it got its commercial start in the rural Southeast; but careful calling it old-fashioned or associating it too closely with pickup trucks and grandma's cooking, as today country is as strong, solid and diverse as ever. It's true… more »

They Say All Music Guide

One doesn’t necessarily think of country and soul as two complementary styles, but anyone with a long memory will know that country — at its outset — worked hand in hand with the blues. So Jesse Dayton’s idea of combining Southern fiddles and B-3 organ on a dozen songs isn’t all that radical after all. He kicks off the album with the title track, a rollicking fun song about life on the road. As with the tracks that follow, Dayton and the band keep things tight and focused, seldom venturing beyond the three-minute mark. The arrangements, while delivering something one might call “country-soul,” vary enough from song to song to keep the album from becoming predictable. There’s accordion on “All Because of You,” acoustic fingerpicking on “Jesus Pick Me Up,” and harmonica on “Ain’t Grace Amazing.” Dayton also shows how easy it is to turn a rock song like the Cars’ “Just What I Needed” into a bluesy bit of country. With the exception of “Just What I Needed,” Dayton has written all of the material, and to top everything else off, he’s a solid, versatile singer. For anyone interested in a soulful country album that never seems alternative, but likewise wouldn’t be confused with contemporary Nashville, Country Soul Brother will fit the bill. – Ronnie D. Lankford, Jr.

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