Charles Bukowski Reads His Poetry

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ALBUM INFORMATION
EDITOR'S PICK // LIVE

Total Tracks: 15   Total Length: 40:40

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Neal Pollack

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"The World's Greatest Living Writer," eMusic Soundtracks/Other columnist Neal Pollack is the author of the cult classic The Neal Pollack Antholog...more »

04.22.11
Charles Bukowski, Charles Bukowski Reads His Poetry
Label: Fantasy / Takoma

This man's poetry is to blame for almost 80 percent of the spoken-word crap out there, and almost 100 percent of all the white spoken-word crap out there. But he is an important American writer, so you should endure his lisp and his blather about how his likes to look at his own piss.

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screw the other review

screamingmonk2

bukowski as bukowski. raw and real.

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don't try

Bouze

The sound quality is awful like farts bubbling up through the bath water but through it all You almost get a good whiff of Hank's hairy backside, his wretched crumpled shirt and beard, stale beer and superior cigarettes from the days when they used to smell more of tobacco than acrid chemical death. Lay back, scratch your belly and listen to one of the greats getting the job done.

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They Say All Media Guide

There’s a major strike against this recording of a September 14, 1972, reading in San Francisco that has nothing to do with the performance or the contents of the readings: the fidelity is poor, sounding as if it was made on a cheap portable tape player from the audience. That makes this more of archival historical value than something that might endure as a document of Charles Bukowski at his best in a live setting. Setting the sound quality aside, the author is reasonably effective in this 40-minute set, which is not so much poems — or what many average listeners might conceive of as poetry, at any rate — as vignettes and observations. In keeping with the tone of much of Bukowski’s work, these tend toward laconic portraits of life’s dark side that avoid moralizing. They’re laced with references to explicit sexual practices, abuse, poverty, and bodily excretions that still retain their capacity to shock, and won’t be well received by the easily offended. Still, they have their value as unflinching reflections of harsh experience, occasionally lightened by some morbid humor. Sometimes individual lines of the pieces are striking, as when he notes “it’s darker than hell, and twice as expensive” in “The Shoelace.” And sometimes, the wit, sex, bodily excretions, and zest for pushing the limits of acceptable taste all come together, particularly in the concluding ode to anal sex, “The Best Love Poem.” Bukowski also lives up to some aspects of his legend with some self-deprecating unflattering comments about his own character, occasionally burping into the mike as if to remind us (as if any reminder was necessary) that he was an uncouth drinker without conventional respect for social etiquette. – Richie Unterberger

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