The Singles

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Total Tracks: 49   Total Length: 148:26

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Britt Robson

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Britt Robson has written about jazz for Jazz Times, downbeat, the Washington Post and many other publications over the past 30 years. He currently writes regula...more »

04.22.11
Four decades' worth of rare treats from jazz's most unusual bandleader and his loyal sidemen.
Label: Evidence Records

John Gilmore may be the most loyal horn player in jazz history. He could have been a star — played with the Jazz Messengers, taught Coltrane, is reputed to be the inspiration for "Chasin 'the Trane." But beginning in 1953, the tenor saxophonist was a stalwart acolyte of the school of Sun Ra for the better part of 40 years, and then led Ra's Arkestra upon the leader's death. The Singles collects 49 obscure, offbeat 45s sporadically released on Ra's Saturn label over that period; among many other things, it neatly documents Gilmore's yeoman, versatile service to Ra's artistry. You can hear him taking a lively solo on "Supersonic Jazz" (1956); living up to the title of "Big City Blues" (1960); backing up R&B singer Little Mack with a gorgeous solo on "I'm Making Believe" (1962); and teaming with Marshall Allen's oboe while Ra goes wah-wah on Mini-moog on "The Perfect Man" (1973).

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Back in the mid-’50s, bandleader Sun Ra decided to get his music to his audience through a more direct process by starting his own label, Saturn Records. Equal parts creative futuristic vision and small-time Southern R&B bandstand hustle, these 45s were pressed in unbelievably small quantities (sometimes in runs of only 50 copies), making them the holy grail of Sun Ra collectibles. The collection of singles runs a neat 30-year time-frame and features everything from Sun Ra with an embryonic form of his Arkestra doing backup duties behind doo-wop groups and R&B slopbucket singers like ‘Space Age Vocalist’ Yochannon to wild-ass sonic experiements from the late ’70s into the early ’80s that would have atmospherically fit on any of his avant-garde albums. Pieced together for this release from the contributions of private collectors around the world — and sonically cleaned up far beyond the audio capabilities of the original vinyl they were pressed on — these 49 three-minute opuses will alternately confuse, astound, confound, delight, and illuminate Sun Ra fans of all stratas of involvement. A major piece of puzzle that is the man, now in place. – Cub Koda

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