Beat Happening

Rate It! Avg: 4.0 (170 ratings)
ALBUM INFORMATION
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Total Tracks: 24   Total Length: 45:59

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Douglas Wolk

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Douglas Wolk writes about pop music and comic books for Time, the New York Times, Rolling Stone, Wired and elsewhere. He's the author of Reading Comics: How Gra...more »

04.22.11
Featherweight, ramshackle, childish and perversely radical.
Label: K Records / SC Distribution

From 1983-1985, when these tracks were recorded, K Records 'house band sounded perversely radical: in place of the precision and machismo that had overtaken punk rock, they were deliberately featherweight, ramshackle and childish, right down to the stick figure kitty cat on the cover. But what attracted them to the idea of childhood was that it's the time when everything feels scaldingly intense, love is scary and new, and establishing an identity is more important than anything. They created a subcultural style of their own: an entire generation of indie-pop followed in the wake of the "International Pop Underground" that rumbling-voiced frontman Calvin Johnson brought into being, simply by declaring its existence.

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Cute, sure, but dangerous, too

CaptainLate

This record manages to be both cute and sexy, thanks to Calvin Johnson's inimitable voice and off-kilter pop songwriting. "Foggy Eyes" is adorable, "Bad Seeds" is a defiant anthem. Yeah, it's for devoted indie-pop fans, as an above review suggests, but I haven't met any indie-pop fans who aren't devoted -- or who don't love this record.

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I get this.

fontor

Sit down, and I'll tell you how things were back in the old days. See, in the 80's, when all this punk rock, hair metal, new wave stuff was going on, everyone wanted to be cool. After all, people had been so uncool for so long. Then about mid-1986, some people became post-cool: letting their childlike and sometimes dorky selves out. But Beat Happening were already there, with their songs about nascent relationships, riding around on bikes, and the strange newness of adolescence and life in general. The rest is history.

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like others said... THE Beat Happening!

freeimprov

I first encountered this band upstairs at a small coffeehouse in Iowa in 1986 or so, pretty much by accident. A few hipster friends were fans, but this was my first listen. I was knocked out by their minimalist, almost childlike approach to pop (what's called "twee" today). They really stripped pop to its bare minimum and then played their hearts out. This album is the recording. Lots of it sounds like they're huddled around a portable cassette recorder (remember those?), probably because they were. It's full of mistakes, bad recording, and wonderfully brilliant songs. In a way, this is folk music as pure as anything tracked on lacquer in the Deep South 50 years earlier. If you can turn off modern expectations of "quality", you'll be rewarded with sweet, sweet music.

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*the* beat happening album

happyrobot

in my mind, this is *the* Beat Happening album. if you like BH, but don't have this LP you are missing a big chunk of some of their best work.

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Wow!

Chunk

The emusic review for this amazing cd is way off. If you've got open ears you'll be blown away by crazy, scary, creepy, soothing, beautiful, sexy tunes compiled here. Two to three years of early genius. A prelude to two indie classics: "Dreamy" and "Black Candy." I lost this cd four or so years ago, and find myself thinking about it more than I probably should.

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Beat Happening can’t be given credit for creating the indie pop genre, but they certainly gave it life in America. This, their first album, is indie pop in its purest form: fuzzy bedroom recordings of simplistic, cutesy songs, with intentionally innocent and juvenile lyrics, which Calvin Johnson belts out with one of the most endearingly bad voices in music history. Their later albums sport better songwriting and are more listenable from a production standpoint, but Beat Happening is as twee and charming as this type of music can get. 1983-85, its CD reissue (with a few live songs and early recordings added), is for devoted indie pop fans only. – Nitsuh Abebe

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