Dream Letter Live In London 1968

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Dream Letter Live In London 1968 album cover
Album Information
EDITOR'S PICK // LIVE

Total Tracks: 16   Total Length: 116:32

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otherworldly

dreamfisher

the voice reaches these impossible highs and the instrumentation is beautiful. a great feeling throughout.

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best Buckley recording

jonathan.nayoblie

Buckley is in top form in this live set. His voice is tremulous, and guitar playing tight. Phantasmagoria in two is by far the best track on both discs.

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dream letter

musiquenoir

heard him alot in berkely circa 67' & 68' this album is truly a treasure

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All diamonds

ricardo222

I saw Buckley play the Power House (?) in Ann Arbor like 40 years ago. He shared the bill with Randy Newman. They were both amazing and I never thought I'd hear a live performance this clean and fresh sounding; enough to put me back in my seat in A-square. Check it.

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Magical Performances Frozen in Time!

crafterx43

Tim Buckley and a 12 String Guild Acoustic- end of conversation! I love John Denver's music, however when you put Tim Buckley and his 12 string together, (with a sympathetic band) there is no more magical sound in the world! Great, intelligent, soulful artistry.

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Download Now

GLEN-BASS-PLAYER

It's rare that live albums really capture the best of an artist. This is one that really does the job. If you're not familiar with Tim Buckley, and unless your OLD you probably wouldn't be, check out a tune or two. It will surprise and amaze. It's too bad his career ended with yet another stupid drug misadventure.

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Shawn Phillips

jcw289

I like this album greatly, and although the artists themselves may prefer not to be categorized or compared to other artists, for those unfamiliar with their work it is useful. I find Tim Buckleys work reminiscent of Shawn Phillips, although Tim probably preceded Shawn be a few years. Mellow and thoughtful, Tim uses his voice as more of a musical than lyrical instrument. The backup musicians are stellar, providing what I feel is an impeccable backdrop to Tims fronting adding traces of jazz, folk, or whatever, as appropriate. definite four stars, maybe five on a good day.

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a must-have!

astrogarage

stunning. this is as good as lorca or happy sad. if you like those two, you really, really, really, need this. in fact, it's my favourite buckley now and probably aleays will be. thanks, e-music.

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A gem!

Marco66

I discovered this record almost by chance long ago, brought it home and suddenly fell in love with it! Try Phantasmagoria in two and troubadour for a start, but all the album is just gorgeous!

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My faith is restored

itwriter

When there's so much dross out there, it's easy to settle for crap. Tim Buckley proved in 1968, and in 2006 I have just been reminded, that there are humans who are capable of incredible, uncompromising greatness. This is the best album I have found on emusic.com so far.

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This scribe must emphatically state that Jeffrey Scott Buckley, who sadly drowned in Memphis Rock City in 1997 during recording sessions for his second album, My Sweetheart the Drunk, remains key among her icons of the American hybrid aesthetic, the sole enduring culture hero of the folk who came of age amidst the '90s grunge movement and the Generation X gold rush. Despite the bittersweet gulf between them, Buckley shared a prodigious gift of sonic magic… more »

They Say All Music Guide

This, like so many Enigma releases, was literally a dream project, and carries a lot of energy and love with it, in the music and the performance. Recorded in London in 1968, when Buckley was just beginning to be really successful and had yet to move out of his folk-oriented phase. The band he’s working with here is simple — Buckley’s voice and fairly simple guitar; Lee Underwood providing subtle, almost jazz-like electric accompaniment; Pentangle’s Danny Thompson sitting in on bass (with a minimum of rehearsal); and vibraphone player David Friedman. There’s an assortment of songs from the three albums Buckley had released up to then, plus a couple that would turn up on later albums, and six songs that he never released in any form. This album, however, was released for the first time in 1989, and what you get is the complete concert — no cuts, no edits, no rearranging. It’s a spectacular piece of work, too. It’s difficult to believe that the tape was made in 1968 — there’s almost no noise, the music seems perfectly recorded, and the ambience is breathtaking. Buckley’s voice is right up front, hovering over the acoustic guitar, clear as a bell. It’s a tribute to CD mastering wizard Bill Inglot, who co-produced the release, that it has such a gorgeous, broad sound. The instruments are carefully separated, clean, and glitch free; if there are tape dropouts here, one can’t hear them. Musically, it’s a spirited affair. Buckley is a beautiful singer, and had a broad selection of excellent, often breathtaking, songs. Even when the songs are a bit of a mish-mash, as happens with the unfortunately over-energetic “Who Do You Love” (one of the unreleased songs), you’re caught by the vocal pyrotechnics he displays — he can be seductive, and he can be a shouter, and he’s always very, very good. Other than this, there’s very little to say about Dream Letter. If you’re at all interested in Buckley, or in various hybrids of folk music, then this album is a must. If you just want to hear one of hell of a good CD, check it out. – Steven McDonald

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