...finally

Rate It! Avg: 4.0 (13 ratings)
ALBUM INFORMATION

Total Tracks: 13   Total Length: 43:47

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"...Finally" was their "...Finale"

toetod

TMJ was a great band, and tho I can agree that "Cereal Killers" was their high-water mark, no apologies necessary for this one. This is their hardest rocking CD, and #4, #5, #7, #10 are among their best. Musically this blows away their first couple CD's and lyrically they weren't pretending to be teenagers. "That was then...you're Mrs. Now" a prime example of the way TMJ managed to grow up without losing the edge. And thankfully they were also done chasing top-of-the-chart dreams, so there's no "in Perpetuity" missteps on this one.

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That one?

T-Rav

This is TMJ's crowning album. It is full force from start to finish and contains a wonderful version of Billy Bragg's "New England." As usual, the band sounds great. The highlight is Tommy's drumming-- it makes each song feel like a train is coming full steam. For any drummers out there-- check him out. "When Tommy isn't walking the beat, he's keeping it..."

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not bad

ArizonaJim

The album might not be as consistent as some, but I think the AMG review is a bit unfair. "You Will" isn't JUST about the AT&T ad campaign, and it's a great, raucous way to open the album. And "The Kids Don't Understand" is one of their best songs, I think. At least, download that one.

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They Say All Media Guide

An aptly-named album, 1996′s Finally was Too Much Joy’s first release in nearly four years. Having been through the major-label mangle and a key personnel change (replacing founding member Sandy Smallens with veteran producer William Wittman, whose decidedly non-punk credits include Air Supply, the Outfield and Cyndi Lauper), the group are rejuvenated here, replacing the production gloss of their last couple of albums with the sort of punk-inflected buzzsaw guitar pop that had enlivened 1989′s Son of Sam I Am, only with a better sense of melody. Musically ace though the album is, however, singer Tim Quirk’s lyrics aren’t quite up to his earlier standards. “You Will,” mocking a then-current ad campaign for AT&T, goes for rather too easy a target, and songs like “I’m Your Wallet” and “How To Be Happy” aren’t as impressive as their titles would lead one to expect. And the cover of Billy Bragg’s “A New England” isn’t a patch on Kirsty MacColl’s definitive reading. Little wonder that more attention was paid to the cartoon nudity on the cover than to the songs themselves. – Stewart Mason

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