The Who Sell Out

Rate It! Avg: 4.0 (89 ratings)
ALBUM INFORMATION

Total Tracks: 14   Total Length: 39:39

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Quirky but brilliant

tommyfly

I love this album. There are a few problems with it, for example, the inexplicable production errors on a couple songs: It feels like someone was getting tired and wanted to just get it over with. Otherwise, if you're a Who fan and you like off-beat reworkings of great songs, give this one a go. Petra Haden has a great voice and an uncanny talent for imitating musical instruments.

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Maybe it's just me...

emusicsincemay2002

I mean, I wanted to love this album. The original album is one of my all time favorites, and I'm impressed by this woman's talents not just as a singer but that she did it all on a cassette multi tracker which is hard to work with. Ultimately, I can only take a cappella in small doses and after about three songs I start missing the guitars and drums and wind up switching to something else. YMMV.

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Set Aside Doubt, Listen

LouwKee

"Sell Out" has been a favorite of mine, and my pre-adolescent boys love it too. They're less enthused about Petra's take on this classic than I am. It's subtle, very faithful and well worth repeated listening.

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Eh.

emmckee

This is a great idea, but Petra Haden doesn't deliver it well enough. Maybe next time.

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She's selling out, so BUY IT

timabouttown

How cool is this? Mike Watt gave her the idea for this! She'd never even heard the record before, so built it layer by layer on six tracks of tape, listening to the original on the first 2. It's occasionally gimmicky, but when she nails a song, it surpasses the original, which is one of my top 5 desert-island disks. I've always thought that some of these songs were meant for women to sing – Pete's falsetto just can't reach the notes, and the album's best songs are just plain better with Petra singing. She turns Tattoo from clever to wise without losing any of the fun. Sunrise was pretty, but turns truly gorgeous, Our Love Was becomes even more heartbreaking. She captures the roar of I Can See for Miles, and gets both the beauty and the beast sections of Relax exactly right. One of the very, very best emu releases.

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Great album but eMusic's VBR messes it up

misfithero

This is a gapless album with segue ways between many songs and eMusic's archaic choice to use VBR encoding in a world of cheap storage makes this album much less enjoyable. Download it elsewhere from a higher quality digital music store (iTunes) or buy the CD. It's a fantastic piece of work.

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3.1415926 thumbs up!

DelanyFlushboy

Complete, absolute, and utterly unmitigated genius.

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interesting for many reasons

Bobépine

Not only will this interest The Who fans, fans of a cappella and those who simply like clever pop, jazz fans will be interested to know Petra Haden is the daughter of jazz legend Charlie Haden.

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F'in' amazing

EMUSIC-001406E5

Requires numerous listenings to fully appreciate. I'm convinced there is nothing this girl can't do. I saw her perform it live with her a capella group "The Sellouts" and my head almost exploded. Can't recommend highly enough.

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Really weird, but really cool

DrZoinks

Great take on some music that was very original to start with. Excellent voice, worth the download, although the interstitial songs are pretty odd, kind of a Monty Python meets Stanley Kubrick.

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They Say All Media Guide

So many times the title of an album is peripheral to what the contents actually hold. In the case of Petra Haden Sings: The Who Sell Out it is perfectly descriptive because, yes, Petra Haden does sing the Who’s Who Sell Out album right down to the make-believe ads that link the songs. Not just the vocals but all the instruments too. Working from a suggestion from Mike Watt (who may or may not have remembered the Who’s own foray into singing instrumental parts on “A Quick One, While He’s Away” when they had to sing “cello, cello, cello” because they couldn’t afford to hire the real thing), Haden spent time during the span of three years (2000-2003) re-creating the sound of the Who’s pop-art masterpiece using her voice and an old eight-track recorder. The results are pretty amazing. Apart from an occasional rhythmic stumble and the tendency for the drum sounds to sound like synsonic drums, she really nails the layered, flowing and psychedelic in the true sense of the word feel of the original album. She pulls off the feat of being reverent to the original material while also sounding completely out on a limb artistically. Never trying to imitate instruments exactly, she instead goes for the feel and texture of them. It would have been impossible to sound like Keith Moon anyway and she wisely limits the drums to an occasional piece here and there. The astounding moments are many but some of the best are the guitar plinks and twangs from “Our Love Was,” the drum hits and wailing guitar solos on “Relax,” the chant-like bass on “Silas Stingy” and the choral effects of “Rael.” Maybe the most impressive feat was managing to account for all the parts and pieces of “I Can See for Miles,” a task which would have driven a lesser artist insane but one that she makes sound effortless. The song that actually competes with the original is ” Sunrise” as she imbues the song with a feeling of joy and light equal to the original and her lead vocal is perfect. The aspect of the album that will probably be overlooked is the actual vocals — the vocals that sing the lyrics, that is. She has a crystal-clear, beautiful voice that really soars and her harmonies are consistently breathtaking. It would have been lovely enough just to hear her sing the Who’s melodies and lyrics without all the backing “instruments.” The likelihood that you will reach for Petra Haden’s version of Sell Out before you will reach for the Who’s will vary with each listener’s tolerance for novelty. Even the strictest Who purist should hear Haden’s version at least once though and anyone who likes to hear artists taking wild chances and succeeding wildly should hold up Petra Haden Sings: The Who Sell Out as a shining example. – Tim Sendra

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