Druganaut

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Druganaut album cover
Album Information

Total Tracks: 4   Total Length: 24:44

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Rolling Chapel Gospel

DJuvenal

Looking back on it, the one Sunday morning I found myself driving very slowly through the Sam's Club parking lot drinking bourbon and sucking fine tobacco fumes through my curved Scottish pipe while everyone stared at me as if I were somehow different from them was a spiritual moment. I later realized that it wasn't me at all. It was the Druganaut Extended Remix playing at plastic rattling volume that did the trick. It is truly amazing how good it felt. I guess the term "church" is also open to one's own interpretation. Download this sermon now!

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far out

Partyrocker

It's like Neil Young and Lynyrd Skynyrd put thier differences aside (enough is enough guys) and made an album. Throw in some black light posters and a horn player from the Peter Brotzmann school of saxaphone, and you are sitting on top of Black Mountain.

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This CD version of Jagjaguwar’s original 12″ single for “Druganaut/Buffalo Swan” adds two bonus tracks, “Bicycle Man” and what Black Mountain terms a “campfire version” of “No Satisfaction.” Anyone who heard the Druganaut LP could tell the title track was crimped. Three-minutes-and-forty-seven-seconds? Come on. Stretched over eight minutes and twining through guitar solo fuzz, backmasking, and keys that swelter like low-lying humidity, the version here is much truer. But “Druganaut” is also still measured. It’s easy for groups like the Warlocks or Spiritualized to lengthen and louder things to face-warping levels, and it’s often awesome when they do. But “Druganaut”‘s best qualities are its steady pace and gently threatening nature — you sense it could detonate into a Comets on Fire squall at any second. “Buffalo Swan” is even longer, a lingering rock jam that layers Stephen McBean and Amber Webber’s mournfully melodic vocals over a sub-Zeppelin bass line and synthesizer dust bunnies. The longer format of these songs suits Black Mountain perfectly. It lets McBean stretch his notes, twining them until he grows hair on his throat. And the steady instrumental builds simmer with enough power that they don’t need an explosive payoff. (Though sometimes, as in “Buffalo,” they have one anyway.) The version of “No Satisfaction” here isn’t extended from the album length. But it really is a “campfire version,” recorded live with McBean acting as leader for the gang-vocal call-and-response. It’s a smiling thrill, like an outtake from some vintage Monkees episode where the Seekers stopped by for a hang. Don’t assume the Druganaut, Rovi – Johnny Loftus

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