It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »
It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »
Colin Turnbull’s and Francis S. Chapman’s late-’50s field recordings are among the most captivating examples of traditional pygmy music. Folkways released two LPs of them, one devoted entirely to the Mbuti pygmies, the other giving a side apiece to the forest people and their villager neighbors. This CD collects all of the pygmy material from the earlier two volumes — too much for one sitting, perhaps — and presents them in pristine re-mastered form. The disc begins in a Mbuti camp where small groups sing rounds and play home-made flutes; moves to a Bantu village for raucous ritual observances; and then returns to the forest for private meditations on musical bow (a hunting bow plucked and held to the mouth like a jaw harp) and the fireside evening reveries of the sacred molimo. – Ted Greenwald