The Manifestation

Rate It! Avg: 4.0 (32 ratings)
ALBUM INFORMATION

Total Tracks: 2   Total Length: 45:11

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Trippy

epignosis11

Per the advice of the previous reviewers I only downloaded track 1, "Manifestation." I recommend it for all fans of psychedelic and progressive music. There is alot of acoustic guitar, unusual percussion, subdued vocals, some spoken word and all kinds of sounds I could not identify. It's a hazy, folky, slightly moody journey through Appalachia. Similar artists: Grails, Early Pink Floyd, the Future Kings of England, Daniel Higgs, Steven Wray Lobdell, Comets on Fire and the trippier side of Camper Van Beethoven (albeit with a much longer attention span). It may also appeal to fans of Popol Vuh, Godspeed You! Black Emperor, Faust and the mellower stoner bands.

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4 stars for track one

hankus3000

I really like track one. The other review is spot-on, re: track two--the crackle and pop kind of gets in the way (for me). But what do I know?

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1 out of 2

bigdex

track 1 is killer, 20 some minutes, perfect if you have one song left to kill. Track 2 has surface noise simulating the vinyl listrening experience. The 12" has an etching on side two that creates tons of surface noise when you play it. That surface noise is on this track, and renders it darn near unlistneable. Very dissappointing. but the first track is very good.

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They Say All Media Guide

If there were one track that completely illustrated the strange and mystical magic that is Six Organs of Admittance, “Manifestation” is it. Issued on vinyl in a numbered, limited edition of 500 in 1999, “Manifestation” is a single 22-minute track. (The other side of the record was an etched drawing of the sun.) Raga-like in its meandering textures and meditative quality, yet utterly different because of its lack of fixed rhythms, Six Organs is Ben Chasny and bandmates Jennifer Juniper Stratford, and percussionist and electronics whiz Utrillo Kushner (from Comets on Fire, of which Chasny is now a full-time member.) The sheer drift and wander of “Manifestation” is dreamy, but not in any ambient way. It is a music that is active, participatory and engaged. It moves through musical universes harmonically, dynamically, and texturally. Electric and acoustic guitars, percussion, electronics, droning voices, and sounds from the ether approach, reside for a time, and move off into other directions, inviting other ones to take their places. There is gentleness and tension, emergence and disappearance, change being the only constant until it enters into silence. This is one of those recordings that cannot be heard the same way twice; and in its ethereal unimposing heart, it is the sound of essence that is at once familiar and wholly other, like nature itself. – Thom Jurek

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