Noah's Ark

Rate It! Avg: 4.0 (328 ratings)
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Total Tracks: 12   Total Length: 44:26

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Mike McGonigal

eMusic Contributor

Mike McGonigal is editorial director for YETI publishing and the author of three little music books. He lives in Portland, OR, where he spends his time assembli...more »

04.22.11
CocoRosie, Noah’s Ark
2005 | Label: Touch And Go

Noah's Ark is a lovely, otherworldly and highly evocative work that bravely mixes an experimental, child-like sensibility with adult themes. These parlor ballads have an intentionally muffled sound on most tunes, the lulling lullabies a sometimes disturbing mix of backwards loops and playfully plucked pianos and stringed instruments. It's very smart and playful stuff, though. I mean, unicorns copulate on the cover. Two sisters sing in an affected, high-pitched manner; one of them is operatically trained and the other self-taught. Kid's toys form the rhythm section. A dude sort of raps in French on one song. Devendra Banhart and Antony guest star. Largely lumped in with the new folk revival, CocoRosie show themselves on this album to be far too smart, weird and reliant on electronics to fit in there (or anywhere else).

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Brilliant

mazza

Brilliant. One of my favourite albums of all time. Fantastic live too. I don't get the Bjork link. Yeah, they are women, and...? The album artwork is fun, kind of nursery rhyme fantasy porn. A bit like the music.If you don't listen to this album because you hate the artwork, how sad is that?

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Hmmmm

hadi.mousattat

It is so unpleasant to have such art work.... why? Is it cool that way?

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Judging an album by its cover

chrisditomo

Have not listened to any tracks on this album. What is with these stupid juvenline album covers that some of these indie groups come up with. Come on, people? Some albums have such stupid covers, I don't even give the music a listen. Please, try appealing to our higher nature!

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Dig it fer sure

ganja87

so there are def songs i like more than others but i think she's cute as hell. my favorite track is noah's ark

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If I was you, I wouldn't hate it.

bitterwyrm

I came by this album from 'Artists similar to...' Lisa Germano. But it's more like KatieJane Garside's Lalleshwari / Lullabies in a Glass Wilderness. If you loved that, then you love this too.

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???????

ryanlehn

I agree with the two reviewers below me. I, also was recommended this artist by a friend with similar tastes and I just don't get it. The songs (if you want to call them that) have very loose structure and very little melody. Don't get me wrong lots of artists will go into different tangents, but they tie that stuff together with good songs in between. Bottom line: very cheap version of Bjork with no tallent. I'm just glad I didn't buy any of their albums at the record store.

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Just seems a little forced

DarthBlitzer

I was told that if I liked Joanna Newsom, this album would totally float my boat. Frankly it Didn't, the title track isn't that bad, but inadvertently this record just felt like one of those girlfriends you had in high school that listened to Tori Amos, cut herself sometimes to get a reaction out of people, and was a bad kisser.

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this will sound so dated in 5-10 years

MargoRed

you're either going to love or hate this recording. if you jibe with the whole freak folk thing and you like your female artists daintily feminine yet a little twisted, this is the album for you. others will find the vocal affectations here insanely annoying and the style of the whole thing really pretentious. either way, 5-10 years from now people will look back on "noah's ark" and say, "that was the sound of 2005." some will say that's a good thing, others will be confounded about why they ever downloaded this album.

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unique

dat808

what is pretentious is people who move away from New York but then have to tell you that's where they're from. there's nothing pretentious about making music completely unlike everyone else, that said, you are either going to hate this, or love it.

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animus instinct

wears-the-trousers-magazine

Sailing down the Seine to find where broken hearts go, the sisters Casady have thrown their audience the most delicate of lifelines, proportionate only to the furthest stretch of their patience. So while the short-fused among us may well crash and burn at the first bonkers lyric or cracked, unearthly vocal, it’s best to leave them steaming in their own incomprehension than try to defend or explain why this ship is worth keeping abreast of. Noah’s Ark is a stark, brave and affecting record that flirts with the surreal and the all-too-real in irresistible fashion. It won’t appease the haters, but I get the impression that the Casadys care little for everybody-pleasing, route-one pop songs. And why should they when their ability to sink you into their art is so handsomely peerless?

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They Say All Media Guide

After hearing Noah’s Ark, any concerns about CocoRosie becoming too tasteful or straightforward after the widespread critical acclaim for their debut album, La Maison de Mon Reve, can be put to rest. If anything, the album errs in the opposite direction: alternately rambling and hypnotic, it’s much more somber and insular (despite the presence of such kindred spirits as Devendra Banhart and Antony of Antony & the Johnsons) than the duo’s subversively angelic-sounding debut. La Maison de Mon Reve certainly had a dark undercurrent that added considerable sting to its sweetness, but it’s much more prominent on Noah’s Ark; sad, eerie lyrics like “K-Hole”‘s “All of the aborted babies will turn into little Bambies” are paired with equally spooky, mournful music instead of the deceptively light tones of the group’s first album. There’s a lot of power in the album’s darkness, particularly on the apocalyptic campfire singalong “Armageddon.” However, Noah’s Ark occasionally feels too mannered and unfocused, and overly reliant on the sound effects and toy instruments that made their first album so surreally charming: in particular, interludes like “Milk” and “Bear Hides and Buffalo” sound like noise collages missing the key pieces that would hold them together. That said, the album still has many moments of transporting beauty, especially on the songs that feel less cloistered. On “Beautiful Boyz,” Antony’s gorgeous croon adds a touch of cabaret to the song’s tale of star-crossed jailhouse love, and Banhart’s Spanish-language mysticism on “Brazilian Sun” advances CocoRosie’s dreamy exoticism, giving it a more organic feel than it had on La Maison de Mon Reve. Indeed, the more natural moments on Noah’s Ark are often the best: the title track, “South 2nd,” and “The Sea Is Calm” all put the focus on the Casady sisters’ delicate singing and playing. A disappointment mostly in comparison to the seemingly out-of-nowhere brilliance of La Maison de Mon Reve, Noah’s Ark might fail to charm those not already bewitched by that album, but it won’t break the spell for devoted fans. – Heather Phares

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