American Don

Rate It! Avg: 4.0 (162 ratings)
ALBUM INFORMATION
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Total Tracks: 9   Total Length: 55:45

eMusic Review

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Yancey Strickler

eMusic Contributor

04.22.11
Jazz, funk and math-rock wrapped into one incredibly precise recording
Label: Touch And Go

American Don is jazz, funk and math-rock wrapped into one incredibly precise recording. Guitarist Ian Williams delay-pedals his finger-tapped guitar riffs into chiming layers so intricate as to disguise the trees with the forest. Drummer Damon Che — the benchmark by which all indie rock drummers are measured (pre-Hella, anyway) — plays aggressively (he can seemingly move all the way from hi-hat to floor tom in milliseconds) but with considerable restraint: this is Don Cab's mellowest record, and even the notoriously volatile Che plays nice. Last but not least is bassist Eric Emm, whose low-end burps and swivels can get lost in the swirl of Williams and Che's one-upsmanship. There ain't a bad, or even mediocre, song here.

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Their Magnum Opus

SammyCenny

This one easily goes into my "greatest albums of all time" list. Front to back, it is stellar and was the capper on an incredible band's career. Tight and loose at the same time - Damon Che and Ian Williams at their absolute best. It's pretty much impossible to go over the top with praise on this one. Fantastic.

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Wonderful record from a wonderful band

exian

This is great music for you if you've ever heard a song and thought "Boy, this would be better if there were a lot more notes in it." I find this record and "What Burns Never Returns" to be Don Cab's most accessible. Try "Fire Back..." or "You drink a lot of coffee..." or the lovely "June is already here" from "What burns." Battles is not derivative of Don Cab; the guitar player is the same; Battles is a bunch of like minded artists taking their work in a new direction; their video for "Tonto" is a lovely work of art... but I prefer these two Don Cab disks. I find them very moving and engaging. Enjoy your explorations.

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rip off?

apkeiper

To the guy who says Battles are a Don Cab rip off: I hesitate to write this, because I figure everybody in the civilized world is aware of the following fact - Ian Williams, now of Battles played guitar in Don Caballero. Are you implying that he rips himself off? If so, please elaborate on this bold contention. Thanks.

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The Source

momentary

Don Caballero has served as the source for plenty of latter-day instrumental post-rock. This album is no exception. I'm excited to hear where some contemporaries (like Battles) ripped it off from.

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a great piece of work

z00york

I have to say that this is my favourite don caballero album. To all users! ignore the comment by pikg, this album is nothing like return to forever nor is it trying to be like captain beefheart (the CB influence/reference obviously being signatures and structure). What burns never returns is also a enjoyable album so you can ignore that too. I recommend trying out "Lets Face It Pal, You Didn't Need That Eye Surgery" and "The Peter Criss Jazz" for a taster to see what you think. A good album to chill out to, superb and pleasantly surprising changes with really good production. Ian Williams last album with don cab who is now in battles. If you like it but find it a bit too linear in structure then I recommend the band Pele.

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ones all over the place

e-strings

Without getting into any longwinded explanatory praise, I just want to recommend "ones all over the place" as a good place to test out the sound and feel of this album. the first few minutes are pretty and rather non-descript, but what it becomes from there is just about my favorite music of all time, from anyone, ever.

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Most inviting, yet most difficult DC album

Zhimbo

Bit of a paradoxical album. While the crushing noise sometimes present on earlier releases is pretty much absent here, and the shimmering tones are often quite pretty, this is perhaps the most difficult Don Caballero album to "get into". There are no catchy power-chord riffs to carry the listener through, nothing resembling standard rock song structures. And despite the paring down of the group to a trio, this is as musically dense as anything they've done. Having lived with this music for well over a year now, I feel comfortable giving it a full 5 stars. After first getting it, I may have only decided on 3 or 4 stars, but this is an album with true staying power. Everytime I listen to it I now find myself drawn into it, and this is the kind of music in which you can keep finding new things to admire.

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Surprising

Pikg

...ummm.... surprisingly sedate that is. From the descriptions on these pages I expected something closer to Hella than Return to Forever. Also, I hear nothing remotely Beefheart going on here. Still... it is whatever it is... and I guess that's okay. I also downloaded an earlier album thinking it would be more interesting or intense.... or something... (What Burns Never Returns).... but there's really not much difference. The Steve Albini produced first album might be better... perhaps I'll try that sometime. I will also re-listen to this when my expectations become more realistic.

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Beefheart Influence?

Dave005C45FE

Trout Mask fans should check this out.

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They Say All Media Guide

Before, listening to Don Caballero felt similar to being beaten over the head with a huge baseball bat of pure audible genius: often too overwhelming and complicated for your average music listener to listen to for very long, much less understand. With American Don, it seems that the baseball bat has been traded in for a pillow, and instead of beating they are slowly smothering. Much of the aggressive bite of the music has been simmered out: distortion is much more rare, time changes have been minimized, even the notoriously breakneck drumming of Damon Che has been sedated. The only piece that seems most similar to the styles they had established before is the extremely quirky and choppy “Details on How to Get ICEMAN on Your License Plate”; the rest only briefly moves through familiar places, instead choosing to uproot and shapeshift in listeners’ collective faces. Those familiar with Ian and Eric’s other band Storm & Stress might also notice a bit of flowing over from the techniques and styles on their records.
As always, innovation, progression, and surprise seem to be a significant part of the Don Caballerian musical mindset; something is always surfacing out of unexpected dimensions and throwing you miles from where you thought you were heading. This is complicated and explosive. This is American Don: an eloquently stuttered statement of instability and grace all at once. – Blake Butler

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