The Turtles Present The Battle of the Bands

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Total Tracks: 14   Total Length: 37:07

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John Flansburgh

eMusic Contributor

Biography TK

04.22.11
A masterful pop satire, misunderstood in its heyday
2005 | Label: Flo & Eddie, Inc. / The Orchard

Like smoking pot in the White House before they performed at Tricia Nixon's debutante party, the Turtles career is full of contrary motion. Their mega-hit "Happy Together" is popularly misunderstood as a "happy couple" song, while even the most cursory listen to the verses reveals it to be a song of obsession. So it is probably no accident that the Turtles '1968 follow-up, the magnificent Battle of the Bands, would be their ultimate cultural Trojan horse: a conceptual pastiche lampooning popular music filled with actual, legitimate pop masterpieces.

At the risk of sounding older and grumpier than I actually am, reviewing this album to people who will not experience its actual cover, in all its gatefold glory, seems impossibly wrong. In a series of elaborately costumed photos, the Turtles recast themselves in the uniforms of the many musical subcultures of the day — along with a few it appears they just made up on the fly. Each song is attributed to a different band. The title track, credited to "The Atomic Enchilada," is a joyful amphetamine-soul stomp with what appears to be a fully muffed fake ending. The album's big hit "Eleanor" is credited to "The U.S. Teens featuring Raoul."… read more »

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Still crazy after all these years

Unclejack

After THIS madcap summary of rock in 1968 AND their subsequent release (produced by Kink Ray Davies) both tanked, Howard & Mark and Jim Pons all joined Zappa's band for several releases of astonishing vocal and musical precision. "Flo & Eddie," as the two lead vocalists were known during difficult contractual times, also contributed to an early version of Steely Dan's "Everyone's Gone to the Movies" (available in the CITIZEN box) and yes, helped corrupt the minds of kids through late 70s and early 80s TV. This album is before "Lemmings," before "Spinal Tap" and apparently before rock stopped taking itself so damn seriously. Most of the jokes still work, all of the songs are worth hearing (though not all are likely to become favorites) and as a "concept" package it is well above average. Try this, then reach around to hear the rest of their short but distinguished catalog. Just remember and try HARD not to smile...

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Blown Away...

flghtmedic

I first heard this album around 1987, almost 20 years after it's release. I was a record collector and enjoyed The Turtles "Happy Together" and figured I'd buy this record and see if there were any good songs on it. I was so blown away by the concept the first time I cued it up on the turntable! Musically it was outstanding not to mention satirically untouchable. The Turtles proved they could write songs for just about any genre and do it well if they tried. Soon after I heard the album for the first time I was lucky enough to see Mark and Howard in concert with a few other revival groups and greatly enjoyed their performance as "Flo and Eddie". If you love this album download their Flo and Eddie albums too for another great listen to satirical songs poking fun at some of Pop Music's big boys like Elton John.

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Pride and joy, et cetera.

timabouttown

Elenore is surely the highest charting single to ever use "et cetera" in the chorus. I can see why this is so distressing to many Turtles fans, as well as the casual strollers who want to hear what else The Turtles have to offer besides Happy Together. This is better suited to fans of Small Faces or something. It's not just pop -- although the pop is glorious -- but a spin through the entire world. (See DroneDrone's review below.) The sounds of swinging for the fences.

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Neener Neener

fontmaven

The presence of the Turtles' catalog is yet another poke in the eye from eMusic to those who write "reviews" declaiming their disgust that there is nothing on this site to download. Take that, you rogues!

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More great stuff!

coopco95843

Downloaded Elenore and You Showed Me. Great stuff!

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Way Beyond Parody

DroneDrone

One of the best concept albums, Battle of the Bands isn't just a collection of parodies but a loving depiction of the world of the 60's: wacky, tacky, happy, poignant--bands dedicated to being different, even if different meant ridiculous, all bound together by a love of music. But the album is much more than that--it's an allegory of the social and political world that threatened to annihilate itself. To appreciate the concept, you have to know that "Earth Anthem is the final song on the LP," a response to the subtext of "Chicken Little Was Right." On the surface a hillbilly spoof, Chicken Little's imagery hints at nuclear holocaust--the dark underside of "battle") so that "Earth Anthem" becomes a prayer for tolerance and love. "Battle of the Bands" is as important and complex as the best of concept albums by the Beatles, Who, and Kinks, and deserves a solemn and respectful listen after the laughter fades away.

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updated photo link

ronmoses

For anyone who hit Dr. Mutex's link and got a 404, here's the updated URL: http://www.theturtles.com/documents/44.html

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Fantastic Undiscovered Klassic

IMPuffinstuff

I bought this album at a garage sale or at a Goodwill/Salvation Army store in the late 80's when I was in college. I couldn't believe that I'd never heard of it before, because it seemed like a classic to me. Hilarious with some excellent tunes. It's like an American "The Who Sell Out" but funnier. And parody or not, "Earth Anthem" is one of the most beautiful songs I've ever heard. Check it out.

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A Great Download

tomfarr

...For someone that has been fortunate to have owned the vinyl for almost 30 years. Yeah, the pics are great, but this is for listening at work.

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Parody Through and Through

karel

It's interesting how so many people just don't want to accept that this is a great parody album through and through. Yes, taken out of context "Eleanor" and, especially, "You Showed Me" were accepted as straight pop hits. But that simply shows the genius of the Turtles' parody. Great parody can pass. It's only broad parody that people easily recognize for what it is. Recognizing tight parody as parody can be embarrassing (I loved *that*>!). Both of these hits have lyrics that are intentionally and comically vapid. "You Showed Me" has a tune that is intentionally and comically simple to the point of being hypnotic, and its popularity involved that hypnotic quality. Has anyone put together a parody album of such quality (think of all the equivalents in film and literature, although film parodies are usually broad rather than tight)? It's an experience I highly recommend, although at this remove in time it won't have the effect it had back then.

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They Say All Media Guide

Though the Turtles were rightfully known as an excellent pop/rock singles band, on this recording they let loose their humor, which was part of their act from the beginning. On the outside cover the group is dressed in conservative suits and bow ties, yet on the inside the group is clad in, shall it be tastefully said, less traditional attire. The Turtles (who wrote nine of the 12 songs on the original LP, two songs being added to the CD) basically mock the entire spectrum of music on this album, though elements of their pop/rock sound are contained even in the most country, psychedelic, and R&B elements of the music presented here. Two Top Ten hits are contained in this collection, Roger McGuinn’s “You Showed Me” and the Turtles own subtly mocking “Elenore.” Light psychedelia meets Booker T. & the MG’s in the instrumental “Buzzsaw.” The Beach Boys sound shows up in “Surfer Dan,” and the original album closer “Earth Anthem” is a hippie ecology, folk-pop anthem that is both very pretty and quite satirical — a listener could easily lose himself in the fine melody and atmospheric production, while laughing at the same time. The only potential problem with this album is that it is caught in the middle between two extremes: On the one hand, non-mainstream listeners will criticize the album for sounding too commercial, and, on the other, typical Turtles fans will find the album too sophisticated, especially if they are looking for another album like Happy Together. Between these two points of view falls an excellent album that is both commercial and comical, as if both of these elements couldn’t coincide in one album. – Michael Ofjord

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