Hello Stranger

Rate It! Avg: 3.0 (13 ratings)
ALBUM INFORMATION

Total Tracks: 9   Total Length: 59:39

Write a Review2 Member Reviews

Please log in before you review a release. Log in

user avatar

i keep playing it

pandarelated

i have really been enjoying this album. at first i dissmissed it. sorta more of the same. but i keep putting it on. over and over. it is def more pop / house then the whole slow disco thing. ala lindstrom, studio. but i would think if you enjoy those 2 acts. you'll like this. give it a couple spins.

user avatar

Uninspired

SerenityInSound

Couldn't disagree more with the "official" review on this one - this is mediocre disco-techno with a good amount of lame 80's revival thrown in, for (faded) hipness sake. This guy has done some great things as part of (Turntable) Terranova and in his superb downtempo collaboration with Ce.el, but judging from the sample snippets (which are admittedly often not very useful for techno/dance music, but actually seem already too long in this case), this album is best forgotten unless you're really into this kind of stuff and just can't get enough. The one notable exception is the last track "Bunny Brown", a very atmospheric piece of downtempo centered around an acoustic guitar.

Recommended Albums

They Say All Media Guide

If current trends in underground music are any indicator, this album by Berlin (one strike) producer Kaos, with its genre hopping (second strike) and myriad guests (third strike), should be an absolutely abysmal and plodding mess. Which is why it’s nice to report that this is not only the best dance album you’re likely to hear this year, it’s also one of the finest full-length electronic albums ever put to wax, with each song recalling a track you already hold as a dear fave. So what if it’s not the most original — Kaos gels his influences together better than most every other producer out there. Kudos, indeed. “Lessons in Love” states its purpose clearly enough with a deep synth melody and tick-tocking hi-hats that scream Mr. Fingers. It’s followed by “Feel Like I Feel (Sing Along)” which features an electric piano line that is the spot-on twin of “Is It All Over My Face” and features Matt B. Safer (the Rapture), while the Khan-led “Now and Forever” features a vocal part that just might have been cribbed from the master tapes of disco-era Rolling Stones. And it just doesn’t stop. The disco, electro, and acid house themes continue for the remainder of this album that just flies from beginning to end. Critics will complain that Kaos doesn’t really have his own sound. But seeing how most electronic artists’ sounds get bogged down in the album format, the fact that he can keep you locked in from beginning to end — without the slightest bit of filler — is worthy of endless praise. – Joshua Glazer

more »