You Broke My Heart In Seventeen Places

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Total Tracks: 16   Total Length: 51:49

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Fun and actually Good!

BearyNYC

"They Don't Know" is such a classic and the rest of these songs are in the same sound. If you buy this give a listen to the original versions of some of the songs. Great history lesson!

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Retro 50's Pop

Shaesplace

I had this retro 50's pop album when I was a teenager and I loved it, even though that wasn't my usual thing at the time. This is a surprisingly good album, especially coming from a comedienne, and it still sounds great today.

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Poptastic singles

WALKATHON

The combo of Ullman and Kirsty MacColl (R.I.P., though also on eMusic) made some unstoppable power-pop bubblegum. "They Don't Know" and "Terry" are must-haves.

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They Say All Media Guide

Although comic actress Tracey Ullman is these days entirely dismissive of her early-’80s sideline career as a chart-topping pop singer, that’s an unfair assessment. There is nothing much of lasting import on Ullman’s 1983 debut, You Broke My Heart in 17 Places, but it’s kitschy pop fluff at its best. The twin highlights are the title track and “They Don’t Know,” both written by the indescribably talented Kirsty MacColl. (Indeed, Ullman’s “They Don’t Know” is merely the backing track of MacColl’s original 1979 single with Ullman’s voice on top, with MacColl’s Spector-like multiply-overdubbed harmonies actually mixed higher than Ullman’s lead vocal. That’s MacColl singing the climactic “BAY-bee!,” too.) However, the other tracks, almost all covers of ’60s and ’70s pop classics, are pretty terrific as well. Jackie DeShannon’s “Breakway,” Doris Day’s “Move Over Darling,” and Blondie’s brilliant new wave torch song “I’m Always Touched by Your Presence Dear” are great songs given good to great readings, and even the lesser material, like Reunion’s horrid “Life Is a Rock (But the Radio Rolled Me),” is delivered with a nod and a wink that makes it palatable. This is highly recommended to bubblegum fans. [The 2007 reissue includes five bonus tracks made up of extended versions and b-sides.] – Stewart Mason

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