Love Songs of the Hanging Gardens

Rate It! Avg: 4.0 (141 ratings)
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EDITOR'S PICK

Total Tracks: 10   Total Length: 43:25

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Yes.

Gid9000

This is really rather good. Short and to the point disco-electro-tech-house songs with sublime production. Full of nice touches and perfect grooves - every time I listen to it a different track grabs me. Tyurangalila is the the favourite this time around.

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blackholeconcepts

TiestoFriend

Me thinks Black Hole is my new Anthem for www.blackholeconcepts.com Really good songs.

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Unique and magic !

Pametjoe

There is something magic in these rich compositions, a strange blent made of robotic grooves and delicate human presence. I have the feeling this album will count, through the years, through the hype. I just love this album, it's very much more than one of these thousands groovy boring LP's.

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Way the hell up there

theCRUSHER

This is quite possibly the coolest album I've gotten this year. It has that electronic/soul fusion thing going for it, but it's not as obvious as Jamie Lidell. More integrated.

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behind the sexy cover is some actual music

hotness

Funny how so few of the reviews mention the MUSIC here. It's pretty good! This album wins the contest for "most overproduced techno-pop album of the year" but that's also a big part of its charm. Everything is fluid. It's like trance you can sing along with. (And you WILL want to sing along after a few listens.)

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vocals

PunkRockReggaeRoll

musically i love this, but those vocals do mean i couldn't listen to the album much. release the instrumentals please!

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eagle nebula

mdp181

The cover art is a Hubble image of gas clouds in the Eagle Nebula.

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eagle nebula

mdp181

The cover art is a Hubble image of gas clouds in the Eagle Nebula.

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I like it

mstep

Certainly this sounds interesting, I like the cover (incidently yes this actually quite a famous image of a nebula from the Hubble Telescope). Some tracks don't do it for me ("my beauty in the moon", "matter into energy"), but they're countered by tracks like the funky "ashamed of myself" and the irresistable "cosmological constancy" (great title by the way ;) ).

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decent..

Gustava

I don't hugely go in for electronic music, but don't mind this. It sounds fairly retro to me, and it's a bit minimalist, which I quite like. The drum sequences sound like they're straight out of the early 80s - not a bad thing, if you like it. Some of the vocal harmonies in 'beauty.. moon' sound like they're from a barbershop quartet! :-) Don't know about 'cutting edge' tho. To me it sounds like a slight modern twist on an old theme which, while pleasant to listen to, isn't pushing any boundaries. (I only downloaded 'here in the night', 'beauty in the moon', and 'the rooms in my house have parties', and mightn't download more) btw - the cover is an image of the Eagle Nebula, probably from Hubble.

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They Say All Media Guide

Kelley Polar (last name first, adjective last) and his string “quartet” played a vital role in Metro Area tracks like “The Art of Hot,” “Caught Up,” and “Miura,” lending extra grace to otherwise electronic-based productions that have since inspired several hapless imitators. 2002 through 2004 saw a series of 12″ releases from Kelley Polar Quartet, all of which held key trademarks of the Metro Area releases: spiritual allegiance with electronic post-disco of the early ’80s, supreme attention to detail, and the novel idea of releasing one spectacular single — as opposed to several middling-to-decent singles — on an annual basis. For his first full-length release, Kelley opts to make a ten-song, 40-minute album that’s far more pop-oriented than his prior releases, but you can certainly dance or at least sway to it. As with the singles, the album was produced with Metro Area’s Morgan Geist, whose fingerprints are very visible, especially if you’re familiar with the track he produced for Erlend Øye’s Unrest. In a sense, the album resembles what might’ve happened if Martin Rushent produced tracks as nuanced and affecting as the ones heard on the Human League’s Dare! and handed them over to the Free Design. Then again, the productions — not only the sweet, sensitive, well-developed vocal arrangements — also carry baroque qualities, and the lyrics are either wholly rapturous (“I’ll love her ’til she makes me lose my mind”) or deeply lovelorn (“I’ll keep on waiting ’til you’re back here in the dark with me”), so they have a way of evoking a new score to Franco Zeffirelli’s 1968 version of Romeo & Juliet. The album is nothing if not exceptionally produced, with discreet sounds and layers (none extraneous, all complementary) popping above and below rhythms and string arrangements that are imaginative without fail. This is synth-phonic space-age boogie pop made possible with high-caliber songwriting, innovative production, and a maverick way of glancing at varied points in the past in order to chart the future. – Andy Kellman

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