African Dub

Rate It! Avg: 4.5 (16 ratings)
African Dub album cover
Album Information

Total Tracks: 10   Total Length: 50:07

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African Dub

Maesrobert

The last track is shown as 11:55 but ends at around 6:31, followed by 5 minutes of complete silence until Michael Rose comes in acapella 23 seconds from the end. Great album.

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fantastic

rockbottom

this is a great album...dub thunder is one of the best things i've had the pleasure of hearing in a long long time.

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High Quality Progressive Dub

ukfx

This album features some very mature mixes with some of the most tasteful use of effects heard on any recent dub releases. In addition, there's also significant musicianship which gives the remix engineer something substantial to work with. If you've found Black Uhuru's dub albums to be patchy and inconsistent, then this will be real surprise as Rose rises above his past with that group. I totally disagree with another listener's review that suggests that this is somehow a mediocre album. If anything, the younger generation of digital knob-twiddlers could learn a thing or two about artistic remixing without going overboard on the effects! No self respecting dub fan should be without this release.

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Why?

B-52

Why did U even try doing music outside black uhuru?

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They Say All Music Guide

This isn’t really so much a Michael Rose album as it is a Ryan Moore (aka Twilight Circus Dub Sound System) album. It’s one more product of Moore’s welcome expansion from homemade, one-man-band instrumental dub — of which he remains the world’s finest exponent — into a more generalized roots reggae production outfit. African Dub is primarily the remixed version of African Roots, Michael Rose’s equally welcome return to the old-school roots fold following his long wanderings in the wilderness of conscious dancehall. Moore’s production style is pretty heavily dub-flavored to begin with, so none of these remixes will sound especially drastic or adventurous to those who are used to the dub sound. But newcomers to the genre may be taken aback by the echoed shreds of vocal, the bottomless bass, the appearing-then-disappearing guitars and keyboards, and the generally enormous sonic space that Moore creates so skillfully. Note in particular the effective way he completely deconstructs the track about halfway through “Dub Thunder,” and the way he preserves just enough of Rose’s eerily sad and beautiful vocal on “Dub Burial” to retain the flavor of the original version, while busily knocking down the walls around it. And don’t miss the guest appearance by fellow dubmeister Manasseh, either. Brilliant. – Rick Anderson

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