Submers

Rate It! Avg: 4.5 (94 ratings)
Submers album cover
Album Information

Total Tracks: 9   Total Length: 60:47

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The magic starts

Germanprof

Previous album Triple Point is enjoyable, and there's certainly continuity. But to my ear it's from here on in that the blissful, silky magic of loscil really sets in. If like me you worked backwards in time from a love for the more recent material, this is another great release, a worthy precursor to First Narrows. Life-enriching.

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loscil does...

phoenSND

deliver! This was my first album, orginally only had a couple of tracks. I love those tracks and came back for the rest. Just downloaded. First Narrows, so far sounding really good just a bit different which is the point right?

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A backrub for the ears...

Grooveseeker

You know how it is when you're trying to work and everyone on the whole floor is flapping their lips at once? These tracks are an antidote for that kind of torture.

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underwater moonlight

snej

This is brilliant -- I don't know why I hadn't listened to any full Loscil albums until now (thank you EMusic!) Minimal beats are submerged(!) in dub effects and drift in clouds of ambient electronic textures. It sounds a bit like some of the minimal-techno stuff I've been exploring (Gas, Basic Channel) but lighter, warmer; it's got that great Kranky drone thing going on; and pretty often I'm struck by a rhythm or a chord change that reminds me of the sainted early days of Seefeel (before they went all sterile and clanky). I'd recommend "Mute" and "Triton" as the best tracks, but it's all good.

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They Say All Music Guide

Clearly a producer with an unapologetic love for the conceptual, Scott Morgan’s second album for Kranky as Loscil takes on an aquatic theme — each track is named after a submarine. However, not a whole lot has changed in Morgan’s approach from his debut. These tracks sound only a little more aqueous than the ones on Triple Point, continuing to carry wide-open spatial qualities, with the odd hint of dub occasionally thrown in for variation (with its lathery suds of dubspace, “Le Plongeur” rivals Rhythm & Sound’s best work). The only significant difference is the emphasis on waves of rhythm over thumps and pulses. “Triton” is the most wonderful thing Morgan has produced yet, an elegantly dramatic, filmic composition based on a submerged two-note bass hum, a series of rhythmic noise effects, and what sounds like a sampled and drastically altered orchestral arrangement. The notes are emitted lucidly, but they resemble a string arrangement as heard through some type of mildly muffling filter — a body of water, perhaps? If the only track on the disc that follows it hadn’t been produced in honor of the 118 people who died on the Kursk, a Russian sub, it would’ve been the perfect closing. Submers tops Morgan’s impressive debut and provides further proof that the field of ambient techno continues to have plenty to offer. If Markus Guentner’s In Moll was 2001′s surrogate Gas record, Submers is the 2002 edition. – Andy Kellman

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