A Blessing and a Curse

Rate It! Avg: 4.0 (636 ratings)
ALBUM INFORMATION
EDITOR'S PICK

Total Tracks: 11   Total Length: 46:54

eMusic Review

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Keith Harris

eMusic Contributor

Keith Harris lives and writes in Minneapolis, MN, the greatest city in the world. He's reviewed music since 1996, writing for numerous magazines, newspapers and...more »

04.22.11
Southern rock band turns up the sound of suffering.
Label: New West Records

The Drive-By Truckers have got a lot of big ideas. Always did, even if Patterson Hood and his southern-rock cohorts initially smothered their smarts in tasteless humor, rolled around in muddied distortion, and rushed the results past you at punky speeds. Inevitably, though, the band soon sought a form grand enough to contain the breadth of their obsessions, and the 2001 two-disc Southern Rock Opera was just what it says — the cultural history of the modern American south, as refracted through the career of Lynyrd Skynyrd, with loud, messy guitars. Whew.

The new A Blessing and a Curse, however, would seem to tip-toe back a few inches into the personal. It's the sound of three men, each attempting to shake off an emotional hangover (and maybe the physical kind, too) and hold his life together. Mike Cooley, the gut-level absurdist, meets heartache with incredulity, proudly spitting in the face of degradation on "Gravity's Gone," resenting his inability to come to move beyond that pride on "Space City." At the opposite end is the rawer pain of Jason Isbell, who blasts unearned self-forgiveness on "Easy on Yourself" and hopes desperately that "I might become some brand new kinda guy" on "Daylight."… read more »

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DBT use to be good

ToasKokopelli

A friend who who rave about DBT said he wanted to cry when heard this record. He felt he should able to sue on it was so bad. So he gave it to me. I almost sued him for that.

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a modern classic

BrunoBruno

Whether or not you are already a fan of DRB, this is a modern classic in the genre.

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A Guilty Pleasure

LaoDu

Classic Southern Rock. Not intellectually respectable, but great fun. Somewhat uneven, but at their best they have clever lyrics and singable melodies. Not for everyone, but if you have a soft spot for 1970s Southern Rock, here is a place to indulge your guilty pleasure.

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Superb

side1

I don't understand how people are criticising this album. I came across DBT following a recommendation on the AMG site and frankly these guys are one of my favourite bands ever. I have been listening to little else since January 2008 and am hungry for more. I was put off this album by some of the reviews appearing here but this one is up there with the Dirty South, Southern Opera and Decoration Day. Stand outs in my view are Gravity's Gone, Easy on Yourself, Aftermath USA, Daylight, Little Bonnie, A Blessing and a Curse and A World of Hurt. That's nearly all the album - but all the songs are strong - just like their other albums. Someone reviewed this band on this site and said they must be the best band in the USA at the moment just ahead of Wilco - I can't disagree with that. Do yourselves a favour and get into these guys!!!

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I want my (old) DBT

SteveMcQueen

I'm a DBT fan from the beginning. Have a 45 of them doing "Nine Bullets" b/w "Bulldozers and Dirt." This is the first album of theirs I felt was sub-par. I agree with the people who said "boring." Download "Pizza Deliverance" instead. It's five times the record this is. Hoping for better things from the record out later this month.

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Magnificent

leamiron

Words fail me for how good this is. I have listened to it 100 times, and then got hold of everything else they have recorded. The lyrics are perceptive and frequently express the ambivalence of human experience, whilst the music is explosive, nodding to the great rock of the South. If they ever make it over to Britain, I'll be first in line!

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Great Album, BUT.....

deederbob

...wheres the rest of it? I see that the itunes version has three more songs. Buyer beware.

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Boooooring

BonniePrinceKillme

Yeah, I agree with the guy who "was not feeling this record." This is honestly one of the most uninspiring sounds I have ever heard from the ranks of those bands touted as indie elite... I have stayed away from this band for the past few years because I was simply not interested, and I just had my suspicions confirmed in spades. In a word, boring.

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some great tunes

DigitalHobo

There were some great songs on here. I just got into these guys, and HOW did I miss them all this time? Anyhow, I hate to make comparisons, but in addition to the Skynyrd influences, I heard some Eagles and Allman Brothers influence. 2,3,5,6,9,10 were my favorite tracks, but the whole album is a knockout and you could download the whole thing.

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Variety!

BUBBASLICKnMO

I don't find this all that different from 'The Dirty South'. I love several of these songs. 'Gravity's Gone' is darkly and yet wistfully blue. The lyrics are great on these songs. 'Space City' reminds me of Brooks Williams (try: 'Darker Kind of Blue'). Wildly eclectic and evocative of all kinds of mixed emotions. Just like real life....

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They Say All Media Guide

2001′s Southern Rock Opera catapulted the Drive-By Truckers from their early status as another alt-country band with a joke name into one of the smartest, edgiest, and most talked-about hard rock bands in America, and since then they seem to have taken the thematic consensus of Southern Rock Opera as a lucky piece — while 2003′s Decoration Day and 2004′s The Dirty South weren’t concept albums like SRO, their tales of hard living and difficult circumstances in the American South gave them a unified feeling that turned the band’s fine songs into an even more cohesive whole. With A Blessing and a Curse, the Truckers take a step back from this approach for the first time since their breakthrough — most of the album’s 11 songs were written in the studio during the recording sessions — and though the sound and the feel of these tunes is consistent with the band’s previous body of work, A Blessing and a Curse sounds like a collection of individual pieces rather than a coherent and organic whole. But the pieces sound great — Patterson Hood, Mike Cooley, and Jason Isbell remain a triple-threat team as guitarists, songwriters, and singers, and the tough, funky report of Brad Morgan’s drums and Shonna Tucker’s bass drives this music with both groove and force. The hard-earned wisdom about matters of the heart related on “Space City,” “A World of Hurt,” and “Feb. 14″ cuts deep down to the bone, as does the day-to-day emotional chaos of “Aftermath U.S.A.” and the title cut. The Drive-By Truckers have never sounded better in the studio as they do on “A World of Hurt,” Without polishing away their personality, producer David Barbe and mixer John Agnello get the band’s three-guitar onslaught on tape with equal shares of muscle and clarity, while the tight interplay between the players suggests the Rolling Stones at their Sticky Fingers/Exile on Main St. peak as much as the DBTs’ oft-cited role models Lynyrd Skynyrd. A Blessing and a Curse doesn’t try to tell one big story, but 11 small ones that follow a similar trail through 21st century America, and if it isn’t as ambitious as the three releases that preceded it, it still confirms that the Drive-By Truckers are still what they were before making this record: the best hard rock band in America today. – Mark Deming

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