Grow Fins: Rarities (1965-1982)

Rate It! Avg: 4.0 (66 ratings)
ALBUM INFORMATION

Total Tracks: 78   Total Length: 236:54

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Love The Captain

whairrypotter

Hidden Treasures/There are great moments of...... and most is better, but then so few get the man, at his greatest he is nearly as much fun as Da Vinci's self portrait .....the Mona Lisa....Art & magic

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Hmmm.

sloppyenchilada

Unless archiving every grunt is vital to your worship, I recommend you don't waste credits on the untitled tracks. They are, in large part, white noise and mumbles between songs. Otherwise...well...it's Captain Beefheart.

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Start with the classic Captain

JohnMacIntyre

If you are new to the Captain - start with his classics - Safe as Milk, Clear Spot and the Spotlight Kid. If you are still breathing move on to Trout Mask Replica. Then, and only then, listen to this collection of fragments from the man's garage

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To the Uninitiated: PLEASE WAIT

MisterCharlie

3 stars due to cross-purposes.... For fans a lot of this stuff is super duper, especially Trout mask outtakes. But if you've not heard the Captain before, wait until eMusic gets Safe As Milk or Clear Spot/Spotlight Kid or Mirror Man and see if you like the off-kilter proto-blues offered up. Then dive in with both feet and check out the lunacy of Trout Mask Replica. Then maybe Grow Fins is for you.

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what a treat

nigelg

absolutely for the fans only, but what a treat. Yes it's a right mess of bits and pieces but orange claw hammer, grow fins and some of the early stuff is awesome. Explore it, there be something there for you.

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Somewhat Essential

hiddenfire88

Disc 1 is essential. Some of this stuff, plus the A&M EP with their two early (pre-Safe as Milk) singles reveal a tuff blues-rock band with real traction. Disc 2 is a pretty awesome pre-Mirror Man concert in England that made everyone's jaw drop apparently. Discs 3 & 4 are the "Trout Mask House Tapes" that show each of the songs being played without the Captain's vocals. Disc 5 is a strange hodge-podge.

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Down with the ship

Pikg

This collection of every crap recording caught on a $10 Realistic cassette player needs to grow fins as it sinks slowly toward the drain. But it's the Captain dammit... so no lifeboats... it's down with the ship. No mutiny here.

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Filtered thru dust speakers...

lordbuckley

What a great addition to Emusic. I really mean it. There's some amazing stuff on here. Check out the live version of Orange Claw Hammer on disc 3 with Frank Zappa on guitar - beautiful. Yes, some of it is difficult - but if you're new to the Captain then you'll probably not download the whole thing in one go! I recommend the first disc to anyone, particularly the songs 'Evil' (a Howlin Wolf cover) and Obeah Man. What are you waiting for - click 'listen to all', and then start downloading. Enjoy.

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BETTER THAN MIRROR MAN SESS.

LN

ANNYTHING ON HERE IS BETER THA MIRROR MAN SESS.GET CLEAR SPOT AND MARVEL!!!

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eMusic Features

Remembering Captain Beefheart

By Kevin Whitehead

In 1982, painter Don Van Vliet stopped performing as Captain Beefheart. The two sides of the artist had always been linked: his paintings and drawings graced several of his album covers, and a few paintings took titles from his songs: "Japan in a Dishpan," "Golden Birdies," and "China Pig," a Delta-style blues about a piggy bank facing the hammer. His paintings suggest ways to read his records. My initial impression, walking into a… more »

They Say All Media Guide

An unprecedented project in the rock field: a five-CD box set of unreleased material by a cult artist that never had anything close to a chart hit. Of course Captain Beefheart is the ultimate cult artist, and one with a following so rabid (if limited) that the compilation has a wider audience than many would anticipate. Despite the impressive chronological span and variety of demos, live performances, backing tracks, and outtakes, be cautioned that this is not a best-of or ad hoc career overview. A good deal of the tracks (some of which have long been available on bootleg) are of slightly substandard or low fidelity, and Beefheart’s most significant work is ultimately contained on his numerous official releases. However, this is an important addition to his catalog, and one that many of his fanatics will find essential, though it won’t do much to convert the casual fan due to the difficult nature of much of the material. Disc one, with live cuts and demos from 1966-67 that include a few songs recorded on Safe as Milk, is certainly the most interesting and accessible of the quintet. Disc two is more shambling and experimental, with its assortment of 1968 live performances. Disc three is for the hardcore: home-recorded (though in okay fidelity) run-throughs of Trout Mask Replica material from 1969, without vocals. Disc four is for the harder core: 12 more minutes of Trout Mask home sessions, plus enhanced-CD live performance footage from 1968-73. CD five is an interesting, erratic assortment of live, radio, demo, and work tape material from 1969-82, fidelity varying from good to poor. The liner notes are exceptionally detailed, with many first-hand quotes by band members and much historical narrative by frequent Magic Band drummer John French. – Richie Unterberger

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