Breezy jazz-funk, a little bit of disco, and porn soundtracks inform Tim “Love” Lee’s debut, all produced with a variety of late-’70s and early-’80s B-movie soundtrack staples like cheap synthesizers, sarod, bongos, vocoder and vibes. The only concessions to the ’90s are the beats — edgy, well-programmed and just enough of a presence to lift Confessions of a Selector above the many stale trip-hop and nu-disco albums released around the same time. – John Bush