The Half-Life Of Desire

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ALBUM INFORMATION

Total Tracks: 7   Total Length: 55:20

eMusic Features

Modern Big Band Jazz

By Rob Wetstone

Yes, the golden age of big bands and swing was a moment like no other in popular music, and the influence of the likes of Artie Shaw, Glenn Miller, Basie, and Duke reverberates through all of jazz through today. But at the same time that standing bands became economically nonviable, big band music began to explode in a thousand directions. This program begins in 1963 and looks across a wide spectrum of modern big bands… more »

They Say All Media Guide

A lot of bands do covers. Some bands do oddball covers. But few and far between are the bands who dare to end an album with back to back to back covers of a Bing Crosby hit, a Miles Davis/Ellington medley, and Robert Fripp’s “Red”! But on The Half-Life of Desire, Either/Orchestra’s finest, most accomplished release, that’s exactly what this Boston-based ensemble does. Russ Gershon leads the 11-piece group (including future demi-celeb John Medeski) through four originals as well, all strong, especially his own “Strange Meridian” and trombonist Curtis Hasselbring’s “He Who Hesitates.” Beautifully recorded by legendary engineer Rudy van Gelder, the band is extraordinarily tight and vibrant, showing none of the muddy quality that would sully some of their later work. “Temptation” is given a mock-serious treatment with a guest appearance of the deep-voiced Mark Sandman, while “Red,” arranged by guitarist Dirac, evolves from its throbbing theme to a series of evocative ruminations before returning to its core with a vengeance. Perhaps the highlight of this set is “Circle in the Round/I Got It Bad” with its furious bass intro segueing into the billowing Davis melody as though skirting a thunderstorm, only to merge unexpectedly into Ellingtonia. Quite a journey, resulting in arguably the best of this unusual band’s release. Very highly recommended. – Brian Olewnick

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