Dream Signals in Full Circles

Rate It! Avg: 4.5 (54 ratings)
ALBUM INFORMATION

Total Tracks: 9   Total Length: 46:15

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Not bad, not great

Backforty

"Dream Signals in Full Circles" could just as well be the background noise in an hour of television; each of the tracks is inoffensive, generic, and could be the backing music behind ads for any number of products, pharmaceuticals, or services. Listenable, but utterly forgettable.

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forgettable

Radio_Circus_Radio

I downloaded this album, listened to it once, thought, "Oh well, you can't win 'em all. Nothing horrible here, just nothing inspiring." Then a few months later, after getting a new computer onto which I had not transferred my music from my old computer, I saw this as one of my saved albums. So, I downloaded it again, listened to it once and thought, "Oh well, you can't win 'em all. Nothing horrible here, just nothing inspiring." A few days later, I transferred all of my music to my new computer and thought, "Oh, darn..."

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kinda generic

Ju

This is not a terribal record, but not a good one either. The main problem with it is there are a million of these post-emo instumental type bands out there, and there is little to set Tristeza apart from the rest. The drummer is really bad, and has real tempo issues in the odd time signatures they sometimes try to use. There is a nice crystaly guitar tone throughout the record, and at moments the rest of the band shines. Overall not bad, I haven't deleted it from my ipod yet, good in shuffle mode.

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I love this album

Televiper

This is one of the beloved gems in my CD library. This is warm, relaxing, uplifting, and atmospheric post-rock. The perfect album for lounging on the hammock and dreaming.

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They Say All Media Guide

When is instrumental post-rock not stereotypically instrumental post-rock? When it gives a good reason to listen, which is where Tristeza succeeds on Dream Signals in Full Circles where so many other bands fail. Like Mogwai, Tristeza aims at a feeling of musical warmth that belies the seemingly po-faced atmosphere of the presentation — the combination of guitar and keyboards on the opening “Building Peaks” is enough to suggest stumbling into a gentle, involving dream, with nary a vocal in sight (or earshot). “Shifty Drifty” is even more inviting, the guitar overdubs bright and sparkling, a soft waft upwards, while “Chiaroscuro” begins with a synth glaze that could make the song all on its own. Neo-soul rocker Bobby Conn adds some funk guitar on “I Am a Cheetah,” making for an intriguing contrast that doesn’t overwhelm the song. If anything, the drums bring in the funk at points as well, suggesting a path more bands should consider in the future, though the band finds its own particularly drifty way to wrap it up as a whole. There are enough moments to suggest a quietly cinematic chill as well, one of tension rather than simply experimenting but going nowhere with it. “City of the Future” lives up to its name, suggesting a nighttime atmosphere of glowering buildings in moonlight, a soft threat lurking in the shadows provided by a buried feedback drone. When a new keyboard melody starts up after the general mood is set, it brings back the warmth just so, even as the cyclical, circular performance continues. The one most overt Krautrocking number of the bunch, “Auroura Borealis,” is pretty much a shorter version of Neu!’s “Fur Immer,” but it makes up for the near plagiarism with yet another soaring yet deceptively simple guitar solo that evokes a beautiful blue sky to go with the open road. – Ned Raggett

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